Results 131 to 140 of about 259,645 (315)
, 1998 Choreography: Yacov Sharir. Dance Company: Boston Ballet Summer Dance Program. Dancers: Susan Fulke, Jennifer Reed, Philip Colucci, Abdun-Rahim Jackson, Herman Payne, and Rider Vierling. Drums: Yacov Sharir.
Sharir, Yacov +1 more
core +1 more source
Biodiversity as a Dominant Force in Shaping Ethnic Music Styles 生物多样性:塑造民族音乐风格的主导力量
Integrative Conservation, EarlyView.Our findings show that plant, bird, and mammal diversity considerably shape musical features such as vocal range and ornamental sounds, more so than geography or lifestyle. Our study provides the first empirical evidence linking biodiversity to ethnic music styles. Protecting biodiversity, the musical and cultural will be protected.
Wenchen Song, Yifan Xue, Rui Li
wiley +1 more source
Factors Influencing Digital Text Creation Skills in Dance-Related Higher Education
Tánc és NevelésThis study investigates the factors influencing digital text creation skills among dance students in higher education. The COVID-19 pandemic highlighted the importance of digitalization in dance education, a field traditionally less impacted by ...
Ágota Tongori +2 more
doaj +1 more source
Adolescents' Experiences of Hate Speech and Psychological Needs: A Reflexive Thematic Analysis
Journal of Adolescence, EarlyView.ABSTRACT Introduction Adolescents are increasingly exposed to hate speech in both online and offline contexts, yet limited research has examined how such exposure is experienced and how it relates to adolescents' psychological needs and well‐being. Drawing on Self‐Determination Theory (SDT), this study explores how adolescents make sense of hate speech
Tomas Jungert +6 more
wiley +1 more source
The Non‐Professional Virtues of the Hospice Volunteer
Journal of Applied Philosophy, EarlyView.ABSTRACT Volunteers have long played a significant role in hospice care. Much of the care volunteers provide consists of weekly hour‐long in‐home visits. Home‐visiting hospice volunteers are not professionals, nor are they strangers or intimates. Hospice volunteers will not typically face moral dilemmas, nor be called upon to make dramatic decisions ...
Michael B. Gill
wiley +1 more source
Where Are the Elephants? (Sharir Dance Company, work in progress)
, 1995 Saturday, 8pm. What? Why? How?: This piece is made possible by a Choreographer Fellowship grant from the National Endowment for the Arts. Sine I: "To Woody, for your courage." Sine I: This is the first of a two-part work dedicated to Heywood ...
Sharir Dance Company +4 more
core +1 more source
The We‐Relationship as a Key to Addressing Dementia‐Related Ambiguous Loss
Journal of Applied Philosophy, EarlyView.ABSTRACT Pauline Boss describes the challenges faced by people caring for family members with dementia in terms of ambiguous loss – a condition in which the physical presence of the person with dementia coexists with their psychological absence. This article proposes the concept of we‐relationship as a key to addressing dementia‐related ambiguous loss.
Takuya Niikawa, Xue Li
wiley +1 more source
, 1994 Virtual reality event. A collaborative work between Diane Gromala and Yacov Sharir. Body, architecture, and virtual reality. Choreographic material from the first Dervish Dance. Pursued and designed in Banff Center for the Arts.
Sharir Dance Company +2 more
core +1 more source
Ictal dancing following right temporal seizure onset—Evidence for a distributed network
Epileptic Disorders, EarlyView.
Leo Y. Zhang +3 more
wiley +1 more source
Why Fun Aunties Matter: A Modest Account
Journal of Applied Philosophy, EarlyView.ABSTRACT In this article, I offer a child‐centred account of the value of company‐keeping relationships between children and adults. These are relationships enjoyed by a child and an adult who is neither a mere acquaintance nor integrally involved in that child's care or upbringing.
Lesley Jamieson
wiley +1 more source