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Theatres of War: Beyond London & the War
The life of the little theatres continued long after the war and their influence spread far beyond the limits of their studio audiences. This section will examine aspects of their work into the 1920s, under the changed conditions of the postwar ...
Grace Brockington
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The Use of Digital Pedagogical Assessment in the Teaching of Dance Notation
The purpose of this study is to explore the relationship between digital technology and folk dance, highlighting the teaching methodology of the subject of Dance Notation.
Adrienn Papp-Danka, Nóra Oláh
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Maxwell Armfield’s “pictorial commentary” on The Ballet of the Nations relates only loosely to Vernon Lee’s text. Its real subject is rather the plays that he was producing with his own theatre company at around the same time, and the wider culture of ...
Grace Brockington
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Dancing in the Kitchens of History
Eileen Power (1889-1940) was one of Britain’s most eminent female historians of the first half of the twentieth century. She was known for her beauty, fashionability and ever-lasting youth, as well as her scholarship in medieval and social-economic history.
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Sukcesy warszawskich tancerzy w Petersburgu w lutym 1851 roku
The author turns to an anecdote about Warsaw ballet dancers visiting St Petersburg upon the invitation of the Russian tsar, who was enchanted by the mazurka woven by the choreographer Roman Turczynowicz into a performance of Le Diable à quatre (1847 ...
Janina Pudełek
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The article examines the possibilities and specific features of site-specific dance as a tool to work with the history of a place and with individual memory.
S. A. Kondratyeva
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Sustaining dance education in New Zealand: Some issues facing pre-service, primary teacher educators [PDF]
In the area of Dance Education particularly in a primary education context there are several publications on how to teach dance from a variety of philosophical standpoints (Stinson, 1997; Gough, 1999; Autard-Smith, 2002; Cone and Cone, 2005; McCutchen ...
Cheesman, Sue
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Performance at Hogg Auditorium, The University of Texas at Austin. Choreography: Yacov Sharir (From Right to Left, Circles). Dance company: American Deaf Dance Company.Performance at Hogg Auditorium, The University of Texas at Austin.Theatre and ...
American Deaf Dance Company +1 more
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Performance at the McCullough Theatre, UT-Austin. Choreography: Jose Luis Bustamante.
Sharir Dance Company +2 more
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Performance at Hogg Auditorium, The University of Texas at Austin. Choreography: Yacov Sharir (From Right to Left, Circles). Dance company: American Deaf Dance Company.File contains music but no spoken word.Performance at Hogg Auditorium, The University ...
American Deaf Dance Company +1 more
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