Results 51 to 60 of about 8,606,833 (163)

Recenzja książki Wojciecha Klimczyka «Wirus mobilizacji. Taniec a kształtowanie się nowoczesności (1455–1795)» (Kraków 2015, Universitas)

open access: yesPamiętnik Teatralny, 2018
In his work, Wirus mobilizacji, Wojciech Klimczyk presents a history of Western Europe interpreted through the changing dancing practices, or to use Klimczyk’s own vocabulary, an owerview of subsequent social choreographies.
Grzegorz Kondrasiuk
doaj   +1 more source

Lone Mountain College’s San Francisco Dance Film Festival 1976-1978

open access: yesThe International Journal of Screendance
This paper tracks the history and development of the history of dance and film practice and collaboration in the San Francisco Bay Area from the early 1900s to the mid-1980s.
Clare Schweitzer
doaj   +2 more sources

Documents, Group 6: Correspondence, programs, press, photographs, and promotional materials of Batsheva Dance Company, Inbal Dance Theatre, Efrati Dance Company, Jerusalem Dance Group, Israeli Ballet, and Kibbutz Dance Company, 1970-1986 [PDF]

open access: yes, 1970
Files including correspondence, programs, press, photographs, and promotional materials about Batsheva Dance Company, Inbal Dance Theatre, Efrati Dance Company, Jerusalem Dance Group, Israeli Ballet, and Kibbutz Dance Company, compiled by Yacov Sharir ...
Jerusalem Post   +10 more
core   +1 more source

I Have No Face

open access: yes, 2002
Computer generated CyberDance. Concept, computer animation, choreography: Yacov Sharir. Dance Company: Sharir Dance Company.
Sharir Dance Company, Sharir, Yacov
core   +1 more source

Interactions 1 2 3 4 [PDF]

open access: yes, 1978
Performance at the National Technical Institute for the Deaf, Rochester, NY. Choreography: Yacov Sharir. Dance company: American Deaf Dance Company. Dancers: Jimmy Turner, Mario Illi, Bob McMahon, Rosie Serna, et al.Performance at the National Technical ...
American Deaf Dance Company   +1 more
core   +1 more source

Art and Technology

open access: yes, 1995
Testing technological options for performative events, including robotic objects, sensory devices, and sound installations. Creators: Yacov Sharir, Russell Pinkston.
Sharir Dance Company   +2 more
core   +1 more source

Documents, Group 10: Programs, Press, Correspondence, Promotional material; American Deaf Dance Company, Sharir Dance Company, Sharir+Bustamante Danceworks, Dance Repertory Theatre: 1976-2015 [PDF]

open access: yes, 1976
Programs, press, correspondence, and promotional material for American Deaf Dance Company, Sharir Dance Company, Sharir+Bustamante Danceworks, and Dance Repertory Theatre, compiled by Yacov Sharir between 1976 and 2015.
American Deaf Dance Company   +4 more
core   +1 more source

Nilai Filosofi Gerak Tari Guel pada Masyarakat Gayo di Kota Takengon Kabupaten Aceh Tengah

open access: yesGondang: Jurnal Seni dan Budaya, 2020
Guel dance was a traditional dance based on the history narrative of Gayo, District- inspired by the legend of the siblings Sengedaand BenerMerie who were looking for white elephants that to be presented to a princess.
Maghfhirah Murni Bintang Permata   +2 more
doaj   +1 more source

The Anti-Dance Paradox / O Paradoxo da Anti-Dança

open access: yesRevista Portuguesa de Educação Artística, 2019
Between provocation and indifference the so-called non-dance has arisen in the Portuguese Terpsicorean landscape as a fait divers that has not always gone well nor has been taken very seriously. Although, strictly speaking, it is not some kind of “line”
António Laginha
doaj   +1 more source

Excerpts from Court Dance

open access: yes, 2006
Saturday, Act II. Court Dance, commissioned by First Night Austin, was originally created as a site-specific work in the lobby of the Frost Bank building in downtown Austin. Choreography: Jose Luis Bustamante (Court Dance).
Bustamante, Jose Luis   +1 more
core   +1 more source

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