Results 11 to 20 of about 33,174 (302)

Six Illuminated Videos

open access: yesJournal of Embodied Research, 2021
Angela Viora, “Phenomenology of big hair caught up in the wind at night” (2:25); Al Evangelista, “How to dance with Filipinx ancestors?” (4:42); Sonia York-Pryce, “Sôma” (4:48); Claire Vionnet and André Dramé, “Dereskina” (5:39); W.
Al Evangelista   +6 more
doaj   +2 more sources

The relationship between the dancers’ and the audience’s aesthetic experience [PDF]

open access: yesPsihologija, 2017
The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions,
Vukadinović Maja S., Marković Slobodan
doaj   +1 more source

Epidemiology of injuries connected with dance: a critical review on epidemiology [PDF]

open access: yesMedicinski Glasnik, 2020
The aim of this review was to identify all types of injuries connected to the gestures of dancers and understand the associated biomechanical patterns. This is the first step in the definition of a prevention program that lacks in this kind of athletic ...
Giuseppe Rinonapoli   +5 more
doaj   +1 more source

Dimple-Encoded Reprogrammable Origami. [PDF]

open access: yesAdv Sci (Weinh)
Local snap‐through of bistable dimples turns flat elastic sheets into reprogrammable origami structures. Interaction‐guided dimple arrays act as angle‐programmable hinge bands, enabling one sheet to morph into distinct polygonal and three‐dimensional configurations while retaining stable shapes for deployable and protective functions.
Zhang Q   +6 more
europepmc   +2 more sources

The Physical Consequence to Knowing: A speculative report

open access: yesPerformance Philosophy, 2020
This is my first attempt at approaching the notion of agency as a practice though the mode of dancing and writing; deconstructing and reconstructing what I know experientially and what I am trying to comprehend theoretically.
pavleheidler
doaj   +1 more source

Trait representation of embodied cognition in dancers pivoting on the extended mirror neuron system: a resting-state fMRI study

open access: yesFrontiers in Human Neuroscience, 2023
IntroductionDance is an art form that integrates the body and mind through movement. Dancers develop exceptional physical and mental abilities that involve various neurocognitive processes linked to embodied cognition.
Ching-Ju Yang   +15 more
doaj   +1 more source

Extension of Dancer’s Legs: Increasing Angles Show Motion

open access: yesFrontiers in Psychology, 2022
Usain Bolt’s Lightning Bolt pose, one arm highly extended to one side, suggests action. Likewise, static pictures of animals, legs extended, show animation. We tested a new cue for motion perception—extension—and in particular extension of dancer’s legs.
Stefano Mastandrea, John M. Kennedy
doaj   +1 more source

From the DOP Petroglyph Unit Archives: an Old Kingdom “dancing girl” image from Site 30/450-E4-6 [PDF]

open access: yesPolish Archaeology in the Mediterranean, 2021
The rock art discovered in the 1980s and 1990s by the Dakhleh Oasis Project Petroglyph Unit is for the most part unpublished or only briefly mentioned in reports. The paper—the first of a planned series—offers a description and brief comparative study of
Paweł L. Polkowski
doaj   +1 more source

The Effects of a 10-Week Neuromuscular Training on Postural Control in Elite Youth Competitive Ballroom Dancers: A Randomized Controlled Trial

open access: yesFrontiers in Physiology, 2021
The purpose of this randomized controlled trial was to evaluate the efficacy of a 10-week neuromuscular training (NMT) program on the postural control of elite youth competitive ballroom dancers.
Meiqi Zhang   +5 more
doaj   +1 more source

Dancers’ heart: Cardiac screening in elite dancers [PDF]

open access: yesEuropean Journal of Sport Science, 2019
AbstractUsing electrocardiography and echocardiography, we screened elite men and women ballet dancers for abnormal cardiovascular conditions using an observation design with blinded clinical analysis of cardiac function tests. Fifty‐eight (females n = 33) elite professional ballet dancers (age: 26.0 ± 5.7 years, body mass index: 19.9 ± 2.2 kg/m2) with
George S. Metsios   +4 more
openaire   +4 more sources

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