Results 131 to 140 of about 105,729 (280)

Representing, Re‐presenting, or Producing the Past? Memory Work amongst Museum Employees

open access: yesJournal of Management Studies, EarlyView.
Abstract Though it is widely understood that the past can be an important resource for organizations, less is known about the micro‐level skills and choices that help to materialize different representations of the past. We understand these micro‐level skills and choices as a practice: ‘memory work’ – a banner term gathering various activities that ...
Jeremy Aroles   +3 more
wiley   +1 more source

Bold Impressions: block printing 1910-1950 [PDF]

open access: yes, 1995
An edited extract from the illustrated brochure produced to accompany a touring exhibition curated by Mary Schoeser for Central Saint Martins College of Art & Design, shown in the Lethaby Gallery, Southampton Row, from October 3rd to 31st, 1995, and at ...
Schoeser, Mary
core  

Queer Aesthetics, Straight Markets: Disneyfication in the Korean Musical Dorian Gray: A New Musical (2016)

open access: yesThe Journal of Popular Culture, EarlyView.
ABSTRACT Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export.
Di Cotofan Wu
wiley   +1 more source

The hard and soft of it: The role of substrate in patterns of phase dominance and phenology in Gracilaria vermiculophylla

open access: yesJournal of Phycology, EarlyView.
Abstract Despite the importance of the seasonal timing of events in the life cycle for understanding population dynamics, we lack information on the phenology of most macroalgal species. The red macroalga Gracilaria vermiculophylla has become common in both hard‐ and soft‐bottom habitats following its invasion throughout the Northern Hemisphere.
Stacy A. Krueger‐Hadfield   +3 more
wiley   +1 more source

Decorative Art [PDF]

open access: yesThe Decorator and Furnisher, 1891
openaire   +1 more source

A clonal legacy? Reproductive mode variation in hard‐ and soft‐bottom Gracilaria vermiculophylla populations

open access: yesJournal of Phycology, EarlyView.
Abstract The invasion of the red macroalga Gracilaria vermiculophylla provided an opportunity to investigate the influence of benthic habitats on the reproductive mode, population structure, and colonization dynamics in haploid‐diploid life cycles.
Alexis P. Oetterer   +3 more
wiley   +1 more source

The Seven Works of Mercy; a 16th century Dutch picture gallery of skin disease

open access: yes
Journal of the European Academy of Dermatology and Venereology, EarlyView.
Thomas M. van Gulik   +2 more
wiley   +1 more source

Whose knowledge, whose cure? traditional medicine and the boundaries of WIPO's 2024 genetic resources treaty

open access: yesThe Journal of World Intellectual Property, EarlyView.
Abstract Traditional medicine—including complementary, integrative, Indigenous, and ancestral practices—remains a vital source of healthcare for billions worldwide, particularly in the Global South. Despite its widespread use and biomedical relevance, traditional medicinal knowledge has long been excluded from dominant intellectual property systems ...
Tolulope Anthony Adekola
wiley   +1 more source

That sinkin’ feeling: Environmentally induced distress on a disappearing island

open access: yesMedical Anthropology Quarterly, EarlyView.
Abstract Residents of Tangier Island, Virginia, a subsiding island in the Chesapeake Bay, embody psychosocial dimensions of environmental change. Analysis of ethnographic data shows islanders’ experiences and articulations of anxiety, panic, and despair as “that sinkin’ feeling,” resulting from the stress of living with the long‐term threat of imminent
Jonna Yarrington
wiley   +1 more source

Artificial Creativity and Human Fragility

open access: yesModern Theology, EarlyView.
Abstract This article critiques the widespread assumption that generative AI systems exhibit genuine artistic creativity. While such systems can produce novel and aesthetically appealing outputs, assessments based solely on results obscure fundamental differences between human and artificial agents.
Johanna Merz
wiley   +1 more source

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