Results 181 to 190 of about 541,993 (357)

Reader Interaction with Graphic Devices in Early Modern English Printed Books☆

open access: yesRenaissance Studies, EarlyView.
Abstract Research into marginalia or reader annotations has become a well‐established branch of early modern book studies, shedding light on one of the ways in which manuscript and print coexisted and interacted in this period. The present study sets out to discover how readers engaged with printed graphic devices and with texts that contain such ...
Aino Liira
wiley   +1 more source

Ukrainian and European Baroque in the Context of “Sister Arts” Idea

open access: yesJournal of Danubian Studies and Research, 2015
The article deals with the “Sister Arts” tradition as the interrelationship of various art forms (poetry, fiction, painting, theatre, music etc.) relative to the Baroque period. “Sister Arts” criticism, based on E.G.
Olga Shikirinskaya
doaj  

Caxton's Afterlife in Manuscript (c.1475‐c.1500)

open access: yesRenaissance Studies, EarlyView.
Abstract At least thirty‐five manuscript copies of Caxton's prints have been found so far. This article explores the implications of such manuscript copies of Caxton's prints and, interrupting the linear history of the book, considers Caxton's appeal beyond print in manuscript.
Aditi Nafde
wiley   +1 more source

The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆

open access: yesRenaissance Studies, EarlyView.
Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt   +2 more
wiley   +1 more source

Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration

open access: yesRenaissance Studies, EarlyView.
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley   +1 more source

Catherine de' Medici and the Forest of Orleans: Queenly Participation in Early Modern French Forest Management

open access: yesRenaissance Studies, EarlyView.
Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley   +1 more source

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