Results 81 to 90 of about 487,792 (171)
The Irresolution of Genre in Edith Tiempo’s The Builder
The tradition and history of detective fiction in the Philippines remain a slim and largely untheorized terrain, and Edith Tiempo’s contribution to the genre with her fifth and last novel, The Builder (2003), has yet to receive critical attention.
Kaisa R. Aquino
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Subjectivity issue in “City of Glass” by Paul Auster Based on Žižek’s Perspective
The concept of lack being the apex of today’s human being’s stratums of dithered truth is an equivocated issue in the contemporary postmodern era.
Ebrahim Mohammadkarimi +1 more
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Detective fiction is a formulaic genre that combines familiar narrative structures with the creative freedom of invention. According to John G. Cawelti, the detective story follows a recognizable pattern involving the introduction of a detective, the ...
Baiq Jasnieta Anjani Putri +1 more
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The detective genre in the narrative of eduardo mendoza
This dissertation is an in-depth study of the detective novels of Eduardo Mendoza (Barcelona, 1943) as well as his artistic contributions to the evolution of detective narrative in Spain.
Yang, Chung-Ying
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Detection in Jones’s “All Aunt Hagar’s Children”: Stories, Escape and Discovery
Edward P. Jones first published “All Aunt Hagar’s Children,” his only venture into the detective fiction genre, in The New Yorker on December 22 and 29, 2003. This essay focuses on the desire to get away from the confines of Washington D.C.
Amélie Moisy
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Conspiracy Narratives as a Type of Social Myth. [PDF]
Chlup R.
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A collaboration between Genre, Campus Couture, and Thrift ...
Genre Editorial Collective (Campus Couture) (Thrift Club)
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Detective formula in Angels and Demons (2009) movie [PDF]
This research uses John G. Cawelti's theory of the Hard-boiled Detective Formula to identify genre patterns in Ron Howard’s Angels and Demons (2009), which employs the hard-boiled detective genre.
Setiawan, Danang
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The crisis of Japanese detective fiction in the 1930s: Identity and institutions
The article investigates the causes of the profound crisis that struck the Japanese detective genre (tantei shōsetsu 探偵小説) in the 1930s. Existing historiography predominantly views this crisis through the prism of external ideological factors, namely the
D. E. Martynov, F. M. Kungurov
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