Results 1 to 10 of about 2,937 (205)
Alcances del multiculturalismo (y la economía de la cultura) en el patrimonio inmaterial
En el presente artículo me ocupan las intersecciones entre «patrimonio intangible», multiculturalismo(s) y circulación del capital. Partiendo del caso emblemático de San Basilio de Palenque (Colombia), doy cuenta de las economías culturales comunales (y ...
Viviana Parody
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Ethics and Values in the Digital Environment: by the Example of Parody Videos on TikTok
The ethics of the comic is a relatively new interdisciplinary field of knowledge that is gaining new relevance with the development of a variety of social media.
Irina P. Busurkina
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Milagros Elena Rodríguez y tres fotografías
Escribo estas líneas no para decir esto, ni para decir aquello, sino para homenajear en vida a Milagros Elena Rodríguez. Tres de sus fotografías me permiten ver su mirada y trazar mis visiones de ellas.
Jairo Portillo Parody
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La terredad de la isla de Cubagua, Venezuela. Ensayo fotográfico a la deriva
Bella en su simplicidad es la frase: En el principio creó Dios los cielos y la tierra. Sin hablar en lenguas me invento una de etnografía de la terredad, en el contexto de la isla de Cubagua (Estado Nueva Esparta, Venezuela), para dar forma a nuestro ...
Jairo Portillo Parody
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En las últimas décadas, en consonancia con el auge multicultural, los organismos internacionales comenzaron a tomar partido en defensa de la “diversidad” y de aquellas expresiones que de ella se derivan alcanzando el estatus de “patrimonio intangible ...
Viviana Parody
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A Study of Different Aspects of Hutcheonian Parody in Peter Carey’s Jack Maggs
The purpose of the present article is to investigate Peter Carey’s Jack Maggs (1997) within a theoretical context set by Linda Hutcheon’s definition of parody. In Hutcheon’s view, parody is a repetition with critical distance.
Farhad Najafi, Alireza N/A Farahbakhsh
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Tapping Parody for the Sake of Satire
After having taken a bird’s-eye view of parody as defined over the years by theorists thereof, and discussing the pros and cons of the “parody vs satire” stance, the present essay argues with D. Van Ghent (1953) and R.
Gina Măciucă
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Parody video content on digital platforms is generally made by imitating previous works, but in it, there are also characteristics of parody makers that are different from the original work.
Shafira Shava Rahmanissa +2 more
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Parody as re-use and parody as laughing: three exemplary cases of forgery in the musical theatre
In the musical field 'parody' means first of all the borrowing of themes or whole compositions in the polyphonic practice (Missa parodia) during the 15th-18th centuries: these re-use is absolutely serious and the new work can be understood without ...
Elisabetta Fava
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Mostly satirising top-of-mind brands, user-generated parody accounts are a phenomenon mostly associated with Twitter. As an emerging trend in South Africa, parody accounts using cleverlywritten satire attract a large and loyal following as social media ...
Maritha Pritchard +2 more
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