Results 11 to 20 of about 113,286 (254)
A Study of Different Aspects of Hutcheonian Parody in Peter Carey’s Jack Maggs
Critical Literary Studies, 2020 The purpose of the present article is to investigate Peter Carey’s Jack Maggs (1997) within a theoretical context set by Linda Hutcheon’s definition of parody. In Hutcheon’s view, parody is a repetition with critical distance.
Farhad Najafi, Alireza N/A Farahbakhsh
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Communicare, 2022 Mostly satirising top-of-mind brands, user-generated parody accounts are a phenomenon mostly associated with Twitter. As an emerging trend in South Africa, parody accounts using cleverlywritten satire attract a large and loyal following as social media ...
Maritha Pritchard +2 more
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Trademark Parody: Lessons From the Copyright Decision in Campbell v. Acuff-Rose Music, Inc. [PDF]
, 1996 Parodies have long provided many of us with amusement, entertainment,and sometimes even information. An effective parody can convey one or more messages with powerful effect. The message may be a political statement, social commentary, commercial speech,
Myers, Gary
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Parody as re-use and parody as laughing: three exemplary cases of forgery in the musical theatre
Between, 2016 In the musical field 'parody' means first of all the borrowing of themes or whole compositions in the polyphonic practice (Missa parodia) during the 15th-18th centuries: these re-use is absolutely serious and the new work can be understood without ...
Elisabetta Fava
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tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society, 2013 This essay builds on the idea that Commons-based peer production is a social advancement within capitalism but with various post-capitalistic aspects, in need of protection, enforcement, stimulation and connection with progressive social movements.
Vasilis Kostakis, Stelios Stavroulakis
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Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda
Studia Romanica Posnaniensia, 2021 This paper proposes a reinterpretation of plot parallelisms between El collar de la Núria (1927), by C. A. Jordana, and Crim (1936), by Mercè Rodoreda.
Catalina Mir
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After the Prestige: A Postmodern Analysis of Penn and Teller [PDF]
, 2015 By mocking the magic community and revealing the secret behind some of their tricks, Penn and Teller perform a kind of parodic and post-modern “anti-magic.” Penn and Teller display an artful use of rhetoric; in exposing the secrets and shortcomings of ...
Miller, Liz, Zompetti, Joseph P.
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Holocaust Parody in Israeli Popular Culture
Галактика медиа: журнал медиа исследований, 2022 For many years, Israeli culture recoiled from dealing with the Holocaust from a humorous perspective. The perception was that a humorous approach to the Holocaust might threaten the sanctity of its memory, or evoke feelings of disrespect towards the ...
Liat Steir-Livny, Maria V. Semykolennykh
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The Windsor Yearbook of Access to Justice, 2018 This paper argues that the right to expressing oneself through parodies should constitute part of the core freedom of expression of a normative copyright regime. By drawing upon natural law legal theories, the paper proposes a legal definition of parody
Amy Lai
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Tabula Rasa: Revista de Humanidades, 2022 Con base en la crítica etnográfica de procesos afrodescendientes compartidos, en este artículo abordo las diferencias dadas entre investigación-acción-participativa y etnografía colaborativa en contextos específicos de racialización.
Viviana Parody
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