Results 11 to 20 of about 2,893 (213)
Parody as re-use and parody as laughing: three exemplary cases of forgery in the musical theatre
In the musical field 'parody' means first of all the borrowing of themes or whole compositions in the polyphonic practice (Missa parodia) during the 15th-18th centuries: these re-use is absolutely serious and the new work can be understood without ...
Elisabetta Fava
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Mostly satirising top-of-mind brands, user-generated parody accounts are a phenomenon mostly associated with Twitter. As an emerging trend in South Africa, parody accounts using cleverlywritten satire attract a large and loyal following as social media ...
Maritha Pritchard +2 more
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A Study of Different Aspects of Hutcheonian Parody in Peter Carey’s Jack Maggs
The purpose of the present article is to investigate Peter Carey’s Jack Maggs (1997) within a theoretical context set by Linda Hutcheon’s definition of parody. In Hutcheon’s view, parody is a repetition with critical distance.
Farhad Najafi, Alireza N/A Farahbakhsh
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This essay builds on the idea that Commons-based peer production is a social advancement within capitalism but with various post-capitalistic aspects, in need of protection, enforcement, stimulation and connection with progressive social movements.
Vasilis Kostakis, Stelios Stavroulakis
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Literary parody as a form of creative discussion
The parody as a literary genre represents a multifaceted and complex phenomenon, allowing poets and writers to solve numerous creative tasks. However, the notion of “parody” does not correlate to a fixed, clear and comprehensive definition.
Л.В. Прокопович
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Insofar as the percussive and dance genre, characteristic of the Afro-descendent population, the candombe, in its diferent variations, is part of what Paul Gilroy has defined as Atlántico Negro.
Viviana Parody
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Balances y perspectivas de los estudios afrodescendientes en el Uruguay
En consonancia con el paradigma multicultural, durante las últimas décadas los estudios referidos a las poblaciones afrodescendientes se han visto incrementados.
Viviana Parody
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Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda
This paper proposes a reinterpretation of plot parallelisms between El collar de la Núria (1927), by C. A. Jordana, and Crim (1936), by Mercè Rodoreda.
Catalina Mir
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Holocaust Parody in Israeli Popular Culture
For many years, Israeli culture recoiled from dealing with the Holocaust from a humorous perspective. The perception was that a humorous approach to the Holocaust might threaten the sanctity of its memory, or evoke feelings of disrespect towards the ...
Liat Steir-Livny, Maria V. Semykolennykh
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This paper argues that the right to expressing oneself through parodies should constitute part of the core freedom of expression of a normative copyright regime. By drawing upon natural law legal theories, the paper proposes a legal definition of parody
Amy Lai
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