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Literary parody as a form of creative discussion
Trudy Odesskogo Politehničeskogo Universiteta, 2015 The parody as a literary genre represents a multifaceted and complex phenomenon, allowing poets and writers to solve numerous creative tasks. However, the notion of “parody” does not correlate to a fixed, clear and comprehensive definition.
Л.В. Прокопович
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Parody, Irony and Satire: Literary Approaches to Rewriting and Subverting Reality [PDF]
Acta Philologica, 2022 Introduction to “Parody, Irony and Satire: Literary Approaches to Rewriting and Subverting Reality”
Marcin Kołakowski +1 more
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Parody in the Tradition of Farzand-Nameh-Newisi with Emphasis on Sheikh Al-Maqamerin’s Nasihat-Nameh [PDF]
Matn/Pizhūhī-i Adabī, 2022 Farzand-nameh is one of the most important and ancient genres of didactic literature that parents have written with the aim of teaching science and religious and moral education to their children. Advice is the most important part of this Literary genre.
Saba Jalili Jashnabadi +1 more
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Parody in Literature: A Culture-Determined View
СибСкрипт, 2023 The integration of the author into the cultural context is a two-faceted problem. In the post-information age, literary parody is regarded as a way of socio-cultural communication.
Yuriy S. Serenkov
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A Comparative Study of the Terms Naghizeh and Parody [PDF]
ادبیات تطبیقی, 2017 To have a definite term for a special expression seems to be one of the most important problems in Persian literary criticism. Although Naghizeh is considered to be accepted as an equal term for parody, it assumes different names in various researches ...
Zeynab Arabnejad +3 more
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Parodia y política en el Fausto de Estanislao del Campo [PDF]
Acta Philologica, 2022 Estanislao del Campo’s Fausto’ gives the Gauchesco genre a twist by using parody as the central technique of the poem. The parodied text, Gounod’s opera, is based on the long conversation between two gaucho friends in which one tells the other the story
Mónica Bueno
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Una reevaluación del personaje de Ginés de Pasamonte
E-Spania, 2023 This article analyses Ginés de Pasamonte as a character from the literary tradition that Cervantes naturalized to his fictional world, more than a parody or criticism on a real figure or a literary genre.
Fernando Rodríguez Mansilla
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Oriental Studies, 2021 Introduction. So far, the genres of lullaby and poetic parody in the Kalmyk poetry of the twentieth century have not attracted much attention. Born in the late 1920s — early 1930s, the tradition was short-lived.
Rimma M. Khaninova
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THE POETICS OF IGOR SEVERYANIN AND LITERARY PARODY AT THE BEGINNING OF THE 20 TH CENTURY [PDF]
Studia Litterarum, 2017 The article analyzes the specificity of the pre-emigrant work by Igor Severyanin and its poetics (absurdity, paradox, mixture of style, nonsense, and exaggeration) against the rapid development of popular literature at the turn of the 19 th and 20 th ...
Ekaterina V. Kuznetsova
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Miscelánea: A Journal of English and American Studies, 2022 This study aims to reassess William Frederick Deacon (1799-1845) and his work Warreniana (1824) by demonstrating that although it is a work of textual parody, its apparent triviality conceals a sophisticated exercise in literary criticism, constituting a
María Rocío Ramos Ramos
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