Results 41 to 50 of about 599 (191)
Understanding Digital Financial Literacy Among Older Adults in Sweden
Accounting &Finance, EarlyView.ABSTRACT This study examined digital financial literacy (DFL) among older adults in Sweden, with the aim of refining its conceptualisation for highly digitised welfare states. Sixteen semi‐structured interviews with individuals aged 65–93 across two municipalities were analysed inductively. While online banking and Swish were nearly universal, adoption
Fredrik Lundell, A. F. M. Jalal Ahamed
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Известия Уральского федерального университета. Серия 2: Гуманитарные наукиThis article analyses Russian travelogues of the first third of the nineteenth century, which are variations of parodies of the “Karamzin canon”. The study focuses on the “sensitive traveller” as a type of the subject of narrative characteristic of the ...
Natalia Vladimirovna Konstantinova
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El juego de la parodia en la escritura de Anne F. Garréta [PDF]
Çédille: Revista de Estudios Franceses, 2013 The objective of this article is to study the dimension of parody in the work of Anne Garréta in light of the theories of Authier-Revuz regarding the essential het-erogeneity of discourse.
Montserrat Cots Vicente +1 more
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Translating Parody as a Domain of Experiment? Two Polish Poets and an Invitation to Play the Game
Przekładaniec, 2023 The author explores the possibilities of parody translation, based on a 1933 Polish literary example.
Marta Kaźmierczak
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On 3‐MMC: A Cathinone I Have Come to Know and Love
Anthropology of Consciousness, EarlyView.ABSTRACT This article attempts to complicate the mythology of a compound in a state of becoming. I will trace lightly its origins as a cultural disruptor and how I am implicated in this imperative. Introducing you to 3‐MMC will require multiple modes of storytelling and taking of liberties, drawing on literature reviews, practice‐based research, prose,
Carmen Ostrander
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Пародийное восприятие действительности у Виктора Пелевина (на материале романа „Чапаев и Пустота”)
Studia Rossica Posnaniensia, 2016 Victor Pelevin, a representative of Russian postmodernism, is known as a careful observer of reality. Postmodern art is characterized by grotesque, pastiche and parody, which is emphasized by many researchers.
Wawrzyniec Popiel-Machnicki
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Animal Teachers: Nonhuman Pedagogy and the Question of Deceit
Educational Theory, EarlyView.Abstract Animals as “teachers” of human children and adults is a recurring theme in children's literature, in anthropological accounts of “feral children,” as well as in contemporary practices of animal‐assisted pedagogy, philosophical research, wildlife documentaries, and popular culture.
Helena Pedersen
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L’Albí, o l’alteritat del monstre en la narrativa fantàstica de Ramon Vinyes
Studia Romanica Posnaniensia, 2016 Ramon Vinyes has been known in the literary world because of his being mentioned in García Márquez’s Cien años de soledad as a fictional character, “the Catalan sage”. In fact, he was a poet, playwright and short story writer, who did create his works in
Alfons Gregori
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Images, 2014 The subject of the article Parodies, travesties, overtures – meaning of styling treatments in Mark Piwowski’s school films are Marek Piwowski’s early, short films and the stylistic and parodic elements he used.
Katarzyna Mąka-Malatytńska
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International Journal of Art &Design Education, EarlyView.Abstract In recent years, there has been a growing interest in the Mokuhanga technique, a traditional Japanese printmaking method, and its contemporary evolution. This article explores the history of this discipline, its technical uniqueness, and its resurgence in the current context, with particular attention to its development in Spain.
Macarena Moreno Moreno
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