Results 31 to 40 of about 793,464 (151)
Al. O. Teodoreanu, hronicul măscăriciului vălătuc sau despre rescrierea istoriei în cheie parodică [PDF]
Revista de Istorie și Teorie Literară, 2016 Hronicul măscăriciului Vălătuc [The Chronicle of Vălătuc the Fool] overtly relates to the literary and bookish pattern of minor discourse, focusing on parody viewed as ante-Postmodern writing strategy used to ironically discredit the major literary canon/
Simona Antofi
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L’operetta distanziata. Witold Gombrowicz e la rivisitazione ironica di un genere [PDF]
Parole Rubate, 2020 Witold Gombrowicz approaches postmodernism in his "Operetta" (1966), in which he begins an eclectic intertextual dialogue with literary, dramatic, theatrical, but also cultural and social conventions.
Nadzieja Bakowska
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The function of parody in Carmelo Bene’s rewritings
Between, 2016 Parody is a fundamental tool in Carmelo Bene’s rewritings. This paper investigates the forms of parody used by the author in order to understand their functions.
Dario Russo
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Известия Уральского федерального университета. Серия 2: Гуманитарные наукиThis article analyses Russian travelogues of the first third of the nineteenth century, which are variations of parodies of the “Karamzin canon”. The study focuses on the “sensitive traveller” as a type of the subject of narrative characteristic of the ...
Natalia Vladimirovna Konstantinova
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El juego de la parodia en la escritura de Anne F. Garréta [PDF]
Çédille: Revista de Estudios Franceses, 2013 The objective of this article is to study the dimension of parody in the work of Anne Garréta in light of the theories of Authier-Revuz regarding the essential het-erogeneity of discourse.
Montserrat Cots Vicente +1 more
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Translating Parody as a Domain of Experiment? Two Polish Poets and an Invitation to Play the Game
Przekładaniec, 2023 The author explores the possibilities of parody translation, based on a 1933 Polish literary example.
Marta Kaźmierczak
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Parody lost and regained: Richard Strauss's double voices [PDF]
, 2004 This thesis argues the case for the parodic voice in a range of works by Richard Strauss. In doing so, it challenges the long-held view of Strauss as a composer whose music has little to offer beyond superficial grandeur and shallow sentimentality; music
Gibson, Robert Raphael, Franklin, Peter
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L’Albí, o l’alteritat del monstre en la narrativa fantàstica de Ramon Vinyes
Studia Romanica Posnaniensia, 2016 Ramon Vinyes has been known in the literary world because of his being mentioned in García Márquez’s Cien años de soledad as a fictional character, “the Catalan sage”. In fact, he was a poet, playwright and short story writer, who did create his works in
Alfons Gregori
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Пародийное восприятие действительности у Виктора Пелевина (на материале романа „Чапаев и Пустота”)
Studia Rossica Posnaniensia, 2016 Victor Pelevin, a representative of Russian postmodernism, is known as a careful observer of reality. Postmodern art is characterized by grotesque, pastiche and parody, which is emphasized by many researchers.
Wawrzyniec Popiel-Machnicki
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Images, 2014 The subject of the article Parodies, travesties, overtures – meaning of styling treatments in Mark Piwowski’s school films are Marek Piwowski’s early, short films and the stylistic and parodic elements he used.
Katarzyna Mąka-Malatytńska
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