Results 51 to 60 of about 793,464 (151)

«WINKY THE POOH-РOOH», OR A SOME POST-MODERN RUSSIAN PORNOLOGICAL LITERARY CRITICS’ SELF-MADE LAUGHING-STOCK

Докса, 2012
The classification of erotic interpretations of the obscene and non-obscene texts is given. The criterion of scientific character of these interpretations is offered. There shown a self-parody and mock sense of the erroneous reconstruction of non-obscene
Олександр Кирилюк
doaj   +1 more source

Enacting polyvocal scorn in #CovidConspiracy tweets: The orchestration of voices in humorous responses to COVID-19 conspiracy theories. [PDF]

Discourse Context Media, 2023
Dynel M, Zappavigna M.
europepmc   +1 more source

Anthropophagic parody and/as decolonial critique: Verissimo, Shakespeare, and literary devouring

Ilha do Desterro
This article explores the decolonizing potential of anthropophagic parody in A décima segunda noite (2006), by Luis Fernando Verissimo, a novel that reimagines Shakespeare’s Twelfth Night through Oswald de Andrade’s concept of cultural anthropophagy. By
Caio Antônio Nóbrega
doaj   +1 more source

Secondary worlds of fanfiction and parody (“Harry Potter and methods of rationality” by E. Yudkowsky and “Porry Hatter and the stone philosopher” by A.V. Zhvaletsky and I.E. Mytko)

Studia Humanitatis, 2021
Tight intermediary relationship and the specific features of postmodern culture lead to the process of literary expansion, thus generating secondary genres. This article specifies the characteristics of parody – an old literary genre being presented in a
Bruchikova Elizaveta Valeryevna, Safron Elena Alexandrovna   +1 more
doaj  

Fan Fiction as Phenomenon of Modern Literature: Case of “Eugene Onegin”

Научный диалог, 2018
Fan fiction as a modern literary phenomenon with deep historical roots is considered on the example of the recently published work “Eugene Onegin. 2.0 Version. Experiment in verse” by Alina Sakhnenko (2014).
R. O. Raynkhardt
doaj   +1 more source

Parodia e intertextualidad en la trilogía amorosa de Enrique Jardiel Poncela

RiCognizioni, 2014
SourceURL:file://localhost/Users/mcugno/Desktop/RiCOGNIZIONI%20-%201,2014%20(def%204).docParody and intertextuality in Enrique Jardiel Poncela’s love trilogy.
Barbara Greco
doaj   +1 more source

Functional relevance as a principle of translation problem-solving. [PDF]

Front Psychol, 2022
Sang Z.
europepmc   +1 more source

Parody’s paradox: ‘Dover Beach’ versus ‘The Dover Bitch’

Journal of the British Academy
This article tests the notion that a literary critic might judge one poem to be demonstrably better than another. It does so by staging a contest between Matthew Arnold’s ‘Dover Beach’ and Anthony Hecht’s parody ‘The Dover Bitch’. Pitting
Erica McAlpine
doaj   +1 more source

From Parody to Rewriting: Margaret Mitchell’s GoneWith the Wind (1936) vs Alice Randall’s The Wind Done Gone (2001)

Revue LISA, 2004
When after many difficulties, Alice Randall published The Wind Done Gone, the question of the very nature of the novel came to the foreground, from a constitutional as well as a literary standpoint: was it a parodic re-writing of Margaret Mitchell’s Gone
Isabelle Roblin
doaj   +1 more source

Is badfiction processed differently by the human brain? An electrophysical study on reading experience. [PDF]

Front Hum Neurosci, 2023
Weitin T, Fabian T, Glawion A, Brottrager J, Pilz Z.   +4 more
europepmc   +1 more source