Results 101 to 110 of about 21,041 (189)
Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries.
Cesar Huapaya
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L’ivresse des formes et l’illumination profane
Georges Didi-Huberman
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Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of
César Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil)
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Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France The William Bynum Prize Essay. [PDF]
Pierce K.
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Pan od malarstwa. Georgesa Didi-Hubermana koncepcja widzenia
Pawel Mościcki Pan Art Teacher. Georges Didi-Huberman's Idea of Seeing The essay by Pawel Mokicki "Pan Art Teacher. Georges Didi-Huberman's Idea of Seeing" invites a reader to rethink the role of history of art, traditionally seen as science which armed
Paweł Mościcki
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[The survival of Antiquity on the covers and int he drug ads of Eu Sei Tudo magazine, 1917-1958]. [PDF]
Maia ACN, Liborio DS.
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Preventing the risk of iatrogenic harm when assessing and diagnosing functional neurological disorders and other functional somatic symptoms. [PDF]
Stanghellini G, Ikkos G, Esposito CM.
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