Results 1 to 10 of about 15,436 (171)
Georges Didi-Huberman, Images malgrétout
Rivista di Estetica, 2006 Nell’estate del 1944 alcuni membri del Sonderkommando di Auschwitz, il “comando speciale” composto da prigionieri costretti al piu infame dei lavori, quello nelle camere a gas e nei crematori, riescono a strappare quattro fotografie a quella terribile realta.
Giuseppe Di Liberti
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Before Mnemosyne: Wilhelmine Cultural History Exhibitions and the Genesis of Warburg's Picture Atlas. [PDF]
Ber WissAbstract Aby Warburg's Bilderatlas Mnemosyne, left unfinished in 1929, has attracted significant interest in recent decades. This essay offers a new interpretation of Warburg's “picture atlas,” not in relation to modernist collage and photomontage, but as an heir to scientific pedagogical exhibitions of the late Wilhelmine period.
Vollgraff M.
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Georges Didi-Hubermans begrep om visualitet
Kunst og Kultur, 2023 I år fyller en av vår tids mest nytenkende kunsthistorikere Georges Didi-Huberman 70 år. Didi-Huberman er en systemkritiker av kunsthistoriedisiplinen med en kunstfilosofi som undersøker fagets grunnleggende epistemologiske fundament, samtidig som hans ...
Lill K. Stensrud
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The Hour that Never Comes and the Time that Remains [PDF]
J Anal PsycholAbstract This essay proposes a symbolic and clinical investigation of psychic temporality through two archetypal experiences of time: the hour that never comes and the time that remains. Drawing on analytical psychology, trauma theory and aesthetic philosophy, text explores how certain forms of suffering resist chronological resolution and persist as ...
Daniel Françoli Yago
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Georges Didi-Huberman y la perspectiva warburguiana
Revista de Filosofía Universidad Iberoamericana, 2021 El presente artículo propone un análisis de la influencia de la obra de Aby Warburg sobre el filósofo e historiador del arte Georges Didi-Huberman. Con este objetivo, se establece la hipótesis de una tríada conceptual decisiva en la interpretación
Fabián Ludueña Romandini
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GEORGES DIDI-HUBERMAN: UNE ESTHÉTIQUE DU SYMPTÔME
Daimon, 2005 En 1990, Georges Didi-Huberman, filósofo e historiador del arte contemporáneo, anuncia que va a elaborar una «estética del síntoma». La expresión está cargada de consecuencias epistemológicas.
Maud Hagelstein
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, 2012 Der Philosoph und Kunsthistoriker Georges Didi-Huberman (geb. 1953) ist Dozent an der École des hautes études en sciences sociales (Paris). Als Gastprofessor lehrte er an zahlreichen ausländischen Universitäten (Johns Hopkins, Northwestern, Berkeley ...
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