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Impact of digital media on comics
ACM SIGGRAPH 2014 Studio, 2014Digital comics are more than Web comics. Web comics nominally benefit from the affordances of digital interactive media such as distributing comics instantaneously at low cost, storing and exploring an archive, applying animation and sound, and connecting with the comics artist and fan base via email and social media.
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Occlusion aware digital colouring for comics
Proceedings of the ACM Symposium on Applied Perception, 2014A common workflow for modern comic artists is to create an inked line drawing using traditional tools. Then the drawing is scanned as black and white line art and coloured digitally using an application such as Photoshop [Abel and Madden 2012]. The first step of digital colouring, called flatting, assigns symbolic colours to each region in an image ...
Matthew Thorne, Craig S. Kaplan
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An Accessible Viewer for Digital Comic Books
2008In many countries, "comic books" are very popular and are sometimes are referred to as the ninth art. The most common form of access to comics still remains the paper form. Despite its reading comfort, this media does not fit the use the navigational needs of a number of people with special needs, for example: motor-impaired people, low-sighted people ...
Christophe Ponsard, Vincent Fries
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Promoting comics in digital landscapes: Comics artists as content creators
Studies in Comics, 2023The study of digital comics is normally focused on their innovations in languages and aesthetics: from modes and medium-specific features to forms and qualifying features of webcomics and digitalized comics. The definition of digital comics has been studied from the beginning of their appearance, and so has the relationship between digital works and ...
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Using Digital Comics for Language Learning
eLearn, 2010Telling stories by building comic strips is a way to strengthen struggling students' emerging English-language skills and make the difficult job of language learning a much more enjoyable experience. Comic strips are a perfect vehicle for learning a language.
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A Comic Is a Comic Is a Comic: Exploring Prototypes, Parameters, and (Post)Digital Comics
International Journal of Film and Media Arts, Vol. 11 No. 1 (2026): Do Comics Have Electric Dreams?openaire +1 more source
Interactive Comic-Based Digital Storytelling for Self-expression
2018The Ph.D. project explores how a digital tool for comic-based storytelling can support young migrants and teenagers in producing and elaborating narratives for self-expression in the form of counterstories. Migrants and teen-agers are two communities that have few outlets to express themselves when discriminant situations occur.
Rutta, Carolina Beniamina +2 more
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An OCR-Enabled Digital Comic Books Viewer
2012The generalisation of user-friendly and mobile interfaces like smart phones, eBook readers and tablets has accelerated the transition of comic books to the digital format. Although such user interfaces are not always fit for use by people with special needs, the underlying platform offers a large number of innovative services which opens a wide ...
Christophe Ponsard +2 more
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The potential of digital comics in the classroom
AIP Conference Proceedings, 2023Siddhartha Bose, Pritpal Singh
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The Salvation of Comics: Digital Prophets and Iconoclasts
Review of Communication, 2006McCloud, S. (2000). Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper Paperbacks. ISBN: 0060953500. $23 (paperback). Sabin, R. (1998).
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