Results 11 to 20 of about 559 (258)

Digital Philology for Multimedia Cultural Heritage [PDF]

open access: yesJournal of New Music Research, 2017
In this day and age, more information is produced on a daily basis than ever before in the history of literate civilisations.
Federica Bressan   +2 more
openaire   +1 more source

Review: Italia, Paola. 2020. Editing Duemila. Per una filologia dei testi digitali. Roma: Salerno

open access: yesUmanistica Digitale, 2020
This contribution offers a review of the last Paola Italia's volume, Editing Duemila, which focuses on the impact of the digital revolution on writing, publishing, and reading.
Miryam Grasso
doaj   +1 more source

Editorial philology and canon. Texts, collections and complete works from paper to digital

open access: yesPrassi Ecdotiche della Modernità Letteraria, 2017
The so called ‘Editorial Philology’ has recently been considered as a category of Modern Philology, in particular a sub-category of 20th Century Philology.
Paola Italia
doaj   +1 more source

Beyond documentation – The digital philology of interaction heritage [PDF]

open access: yesJournal of New Music Research, 2018
ABSTRACTA philologist's approach to heritage is traditionally based on the curation of documents, such as text, audio and video. However, with the advent of interactive multimedia, heritage becomes floating and volatile, and not easily captured in documents. We propose an approach to heritage that goes beyond documents.
Marc Leman, Joren Six
openaire   +2 more sources

Le positionnement éditorial dans l’édition critique numérique

open access: yesDigital Studies, 2019
Critical editing is a practice whose contours have been well established by the philological tradition. The different critical conventions are well known and have been subject to a myriad of scientific studies.
Joana Casenave
doaj   +2 more sources

From print to digital: an encoding model for the scholarly edition of Giorgio Bassani’s notes

open access: yesUmanistica Digitale, 2022
The notes Giorgio Bassani wrote on his books represent a privileged access to his workshop, allowing us to reconstruct the genesis of the works and the intellectual profile of an important 20th century writer.
Angela Siciliano   +1 more
doaj   +1 more source

Querying Variants: Boccaccio’s ‘Commedia’ and Data-Models

open access: yesDigital Medievalist, 2019
This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility.
Elena Spadini, Sonia Tempestini
doaj   +2 more sources

The Extended Digital Scholarly Edition of “The Name of the Rose”: modelling, workflow and the IDEA paradigm

open access: yesUmanistica Digitale, 2023
The paper presents the Digital Scholarly Edition of Umberto Eco's The Name of the Rose characterized since its conception by the dialogue between Digital Philology and Computational Literary Criticism in a interdisciplinary perspective called 'IDEA ...
Christian D'Agata
doaj   +1 more source

Modern digital technologies in teaching philological disciplines

open access: yesRevista Tempos e Espaços em Educação, 2020
The purpose of writing an academic paper is to analyze a variety of digital technologies, the use of which is appropriate in the process of teaching philological disciplines and the determination of the basic factors that have a decisive influence on the quality of the modern educational process.
Kozak, Alla   +4 more
openaire   +3 more sources

A conceptual model to encourage the development and reuse of apps for digital editions

open access: yesUmanistica Digitale, 2021
In the field of schorlarly digital editing, many innovative applications have been produced to visualise scholarly editions online. Even if some of these applications are specifically meant to be used for different editions, it can be really complicated ...
Chiara Martignano
doaj   +1 more source

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