Results 11 to 20 of about 539 (178)

НЕКОТОРЫЕ ОСОБЕННОСТИ КУЛЬТА ДИОНИСА У ЭЛЛИНОВ И ВАРВАРОВ СЕВЕРНОГО ПРИЧЕРНОМОРЬЯ [PDF]

Материалы по археологии и истории античного и средневекового Причерноморья, 2023
Специфика северопонтийского дионисийства рассматривается как обусловленная фракийскими влияниями: в Ольвии о них прежде всего свидетельствуют орфические таблички, на Боспоре — исключительная популярность в местной нумизматике заимствованных из Фракии ...
Шауб, И.Ю.
doaj   +1 more source

Myth and Innovation Road

Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 2023
This text is based on the speeches Theodoros Terzopoulos gave at the Istanbul Theatre Festival in 2017 and the Modern Drama Valley Festival in Shanghai in 2019.
Theodoros Terzopoulos
doaj   +1 more source

Semantics of the Mauling Scene of an Ungulate by a Feline Predator and a Griffin in the Eastern European Scythian Animal Style

Археология евразийских степей, 2023
The authors consider the content of the motif of mauling of an ungulate by a feline predator and a griffin and the form of its realization in the Scythian animal style of the Eastern European area.
Liubomyr S. Dobrovolskiy, Ulan U. Umitkaliev   +1 more
doaj   +1 more source

TRIUMPH OF DIONYSUS IN INDIA ON AN UNPUBLISHED UNIQUE TERRACOTTA PLAQUE IN EGYPTIAN MUSEUM [PDF]

Shedet, 2022
This study aims to bring to scholarly attention a terracotta decorated plaque from Alexandria, which is kept in the Cairo Egyptian Museum. inv. 8 7 3 27         This is a rectangular plaque with high reliefs, showing some evidence of ...
Nagᴡa Ibrahim
doaj   +1 more source

Mozart by A. S. Pushkin and Prince Myshkin by F. M. Dostoevsky: Problem of Double Encoding

Научный диалог, 2023
The problem of double encoding of the characters’ images is considered: Mozart (“Mozart and Salieri” by A. S. Pushkin) and Prince Myshkin (“The Idiot” by F. M. Dostoevsky).
S. S. Khromov, S. V. Gerasimova, I. A. Pishulina   +2 more
doaj   +1 more source

Interpretation of the poem by A.A. Akhmatova Muse

RUDN Journal of Studies in Literature and Journalism, 2022
The meaning of the mysterious dialogue between the poet and the Muse in the final part of the poem is revealed in the process of consistent reading. It should be noted that in the human and natural world, the separation of darkness and light, sleep and ...
Anastasia A. Aksenova
doaj   +1 more source

Non-Iranian Origin of the Eastern-Slavonic God Xŭrsŭ/Xors
Neiranskoe proishoždenie vostočnoslavjanskogo boga Hrsa/Horsa

Studia Mythologica Slavica, 2014
The paper examines the traditional explanation of the Eastern-Slavonic deity Xors as an Iranian loan from the Persian xwaršēδ/xoršid ‘sun’ and advances an alternative etymology via the Indo-Aryan root hṛṣ-, Indo-European *g̑hers- and its cognates in ...
Constantine L. Borissoff
doaj   +1 more source

Travestirsi per Dioniso

Whatever, 2020
Starting from the definition of “performativity” and “gender parody” developed by Judith Butler, this paper aims to investigate the performative functions of male cross-dressing within the dynamics of social categorization in classical Athens.
Dino Ranieri Scandariato
doaj   +1 more source

Le corps morcelé de Dionysos

Ateliers d'Anthropologie, 2019
Sparagmos and omophagia are considered imitations, even repetitions, of the killing of the Infant Dionysus. This article aims to show that the distinction between whole and part is an operator for the dismemberment of the Infant Dionysus and for its ...
Frédérique Ildefonse
doaj   +1 more source

Nietzsche’s Ariadne: On Asses’s Ears in Botticelli/Dürer – and Poussin’s Bacchanale

Open Philosophy, 2022
In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close of “Ariadne’s Lament” [Klage der Ariadne].
Babich Babette
doaj   +1 more source