Results 21 to 30 of about 541 (178)
Nietzsche’s Ariadne: On Asses’s Ears in Botticelli/Dürer – and Poussin’s Bacchanale
In what follows I raise the question of Ariadne and Dionysus for Nietzsche, including the relative size of Ariadne’s ears, as Dionysus observes at the close of “Ariadne’s Lament” [Klage der Ariadne].
Babich Babette
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To the rhythm of Kyriakos Charalambides' Dionysus: to the 'pulse of life'
Kyriakos Charalambides' references to primeval myth, vivid images and eloquent linguistic choices aim to renew things in a magical way. This article focuses, first, on showing the richness of the vocabulary of the erudite poet and on exploring how the ...
Louiza Christodoulidou
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Un groupe dionysiaque de Géorgie. Terres cuites hellénistiques de Sarkiné
The group of terra-cotta sculptures discovered in Sarkine, the Eastern part of Georgia, is of significant value in correlation with a great number of art monuments of Georgia of Hellenistic and Roman period.
Mariné Mizandari
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Strategic Orientation on Performance: The Resource Based View Theory Approach
This study aims to verify of the relationship between Entrepreneurship Orientation and Market Orientation to Small and Medium Enterprise (SME) Performance, using the Resource Based View (RBV) theory approach.
Raymond Dionysus, Agus Zainul Arifin
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Day and Night, Light and Darkness in the Bacchae of Euripides
In my paper, I am following the theme of light and darkness in the Bacchae of Euripides. Light and darkness is one of many threads of meaning in the Bacchae. It runs alongside the overall interpretation of the play. Light and darkness are present in the
Enno Friedrich
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Dionysus Against the Crucified: Nietzsche _Contra_ Christianity, Part II
This is the second part of a two-part study of Nietzsche and Christianity (TynB 48 [1997] 219-43). Nietzsche’s phrase ‘Dionysus against the Crucified’ is used as a kind of text for the articles.
Stephen N. Williams
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Dionysus Chooses Aeschylus [PDF]
This article is devoted to the analysis of the early stage work of one of the first tragedians of the Greek theatre. Aeschylus is called the father of tragedy since he transformed the original theatrical performance with one actor and ...
Larisa Poplavskaya
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ABSTRACT In 1837, the Tyrolean State Museum Ferdinandeum in Innsbruck, Austria, purchased a Roman bronze statue of a maenad from the 2nd century ce with red garnets as facetted eye inlays found near Brixen, Southern Tyrol. These garnets were investigated using optical microscopy, a portable hand‐held and a stationary micro‐X‐ray fluorescence device, as
H. Albert Gilg +3 more
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Cultic Allusions in the Heraklitos Mosaic
The Heraklitos mosaic, which dates to the second century ad and is displayed today at the Vatican Museums, depicts the theme of the asàrotos òikos (‘unswept floor’) alongside allusions to Dionysian and Isiac mystery cults. The mosaic is
Ehud Fathy
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Scalable Computation of Topological Abstractions for Scalar Data
Abstract Topological data analysis has become an important tool for large scale scalar data analysis and visualization, efficiently extracting the inherent structure and features of interest of the data. However, with growing dataset sizes and complexity, it is increasingly becoming infeasible to compute topological abstractions of interest in serial ...
M. Will +6 more
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