Results 21 to 30 of about 539 (178)
On the origins of the context and meaning of the motif of dolphin on the ship-shaped oil lamp from the museum of Smederevo (4th century AD) [PDF]
Zbornik Radova Filozofskog Fakulteta u PrištiniThe dolphin motif on the ship-shaped oil lamp treasured in the Museum of Smederevo (4th century AD) has complex iconography, multi-layered and complex symbolism, and a long history.
Gavrilović Anđela Đ.
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To the rhythm of Kyriakos Charalambides' Dionysus: to the 'pulse of life'
Neograeca Bohemica, 2022 Kyriakos Charalambides' references to primeval myth, vivid images and eloquent linguistic choices aim to renew things in a magical way. This article focuses, first, on showing the richness of the vocabulary of the erudite poet and on exploring how the ...
Louiza Christodoulidou
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Strategic Orientation on Performance: The Resource Based View Theory Approach
Jurnal Akuntansi, 2020 This study aims to verify of the relationship between Entrepreneurship Orientation and Market Orientation to Small and Medium Enterprise (SME) Performance, using the Resource Based View (RBV) theory approach.
Raymond Dionysus, Agus Zainul Arifin
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Day and Night, Light and Darkness in the Bacchae of Euripides
Arys. Antigüedad, Religiones y Sociedades, 2023 In my paper, I am following the theme of light and darkness in the Bacchae of Euripides. Light and darkness is one of many threads of meaning in the Bacchae. It runs alongside the overall interpretation of the play. Light and darkness are present in the
Enno Friedrich
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Dionysus Against the Crucified: Nietzsche _Contra_ Christianity, Part II
Tyndale Bulletin, 1998 This is the second part of a two-part study of Nietzsche and Christianity (TynB 48 [1997] 219-43). Nietzsche’s phrase ‘Dionysus against the Crucified’ is used as a kind of text for the articles.
Stephen N. Williams
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Cultic Allusions in the Heraklitos Mosaic
Potestas. Estudios del Mundo Clásico e Historia del Arte, 2019 The Heraklitos mosaic, which dates to the second century ad and is displayed today at the Vatican Museums, depicts the theme of the asàrotos òikos (‘unswept floor’) alongside allusions to Dionysian and Isiac mystery cults. The mosaic is
Ehud Fathy
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Archaeometry, EarlyView.ABSTRACT In 1837, the Tyrolean State Museum Ferdinandeum in Innsbruck, Austria, purchased a Roman bronze statue of a maenad from the 2nd century ce with red garnets as facetted eye inlays found near Brixen, Southern Tyrol. These garnets were investigated using optical microscopy, a portable hand‐held and a stationary micro‐X‐ray fluorescence device, as
H. Albert Gilg +3 more
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Dionysus Chooses Aeschylus [PDF]
Hypothekai, 2018 This article is devoted to the analysis of the early stage work of one of the first tragedians of the Greek theatre. Aeschylus is called the father of tragedy since he transformed the original theatrical performance with one actor and ...
Larisa Poplavskaya
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Scalable Computation of Topological Abstractions for Scalar Data
Computer Graphics Forum, EarlyView.Abstract Topological data analysis has become an important tool for large scale scalar data analysis and visualization, efficiently extracting the inherent structure and features of interest of the data. However, with growing dataset sizes and complexity, it is increasingly becoming infeasible to compute topological abstractions of interest in serial ...
M. Will +6 more
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Speaking for Dionysus: Empathy and choral advocacy in Aristotle and Nietzsche
Orbis Litterarum, EarlyView.Abstract This essay argues for an abiding connection between empathy and advocacy by revealing their unrecognized parallels in Aristotle and Nietzsche. The argument makes three new claims. First, I identify an ancient form of sharing emotions, unnamed in but fundamental to Aristotle's Rhetoric, that I call “empathy by analogy.” Next, I show that the ...
Ellwood Wiggins
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