Results 1 to 10 of about 3,793 (262)

Flowing between gongs: Mixed-methods insights into shared flow and temporal distortion in music performance. [PDF]

open access: yesPLoS One
Ideas of temporal distortion prevail in the discourse of flow research, where references are often made to "time flying". Nonetheless, little research has investigated how flow affects time perception in terms of both directionality and surrounding ...
Gibbs HJ, Schiavio A.
europepmc   +5 more sources

Distortion product otoacoustic emissions in college music majors and nonmusic majors

open access: yesNoise and Health, 2016
The presence and absence of distortion product otoacoustic emissions (DPOAEs) as well as DPOAE amplitudes were compared between college music majors and a control group of nonmusic majors.
Rebecca L. Warner Henning, Kate Bobholz
doaj   +3 more sources

The cultural evolution of distortion in music (and other norms of mixed appeal). [PDF]

open access: yesPhilos Trans R Soc Lond B Biol Sci
Music traditions worldwide are subject to remarkable diversity but the origins of this variation are not well understood. Musical behaviour is the product of a multicomponent collection of abilities, some possibly evolved for music but most derived from traits serving nonmusical functions.
Bryant GA, Smaldino PE.
europepmc   +4 more sources

Overcoming the Challenge of Singing Among Cochlear Implant Users: An Analysis of the Disrupted Feedback Loop and Strategies for Improvement. [PDF]

open access: yesBrain Sci
Background: Cochlear implants (CIs) are transformative neuroprosthetics that restore speech perception for individuals with severe-to-profound hearing loss. However, temporal envelope cues are well-represented within the signal processing, while spectral
Younan SM   +5 more
europepmc   +2 more sources

Effectiveness of MP3 Coding Depends on the Music Genre: Evaluation Using Semantic Differential Scales

open access: yesAcoustics, 2022
MPEG-1 Layer 3 (MP3) is one of the most popular compression formats used for sound and especially for music. However, during the coding process, the MP3 algorithm negatively affects the spectral and dynamic characteristics of the audio file being ...
Nikolaos M. Papadakis   +2 more
doaj   +1 more source

Distortion and Western Music Chord Processing [PDF]

open access: yesMusic Perception, 2018
Guitar distortion used in rock music modifies a chord so that new frequencies appear in its harmonic structure. A distorted dyad (power chord) has a special role in heavy metal music due to its harmonics that create a major third interval, making it similar to a major chord.
Paula Virtala   +4 more
openaire   +1 more source

Stripe-Transformer: deep stripe feature learning for music source separation

open access: yesEURASIP Journal on Audio, Speech, and Music Processing, 2023
Music source separation (MSS) is to isolate musical instrument signals from the given music mixture. Stripes widely exist in music spectrograms, which potentially indicate high-level music information. For example, a vertical stripe indicates a drum time
Jiale Qian, Xinlu Liu, Yi Yu, Wei Li
doaj   +1 more source

Dynamic Range Compression and the Semantic Descriptor Aggressive

open access: yesApplied Sciences, 2020
In popular music productions, the lead vocal is often the main focus of the mix and engineers will work to impart creative colouration onto this source.
Austin Moore
doaj   +1 more source

Antenna Pattern Calibration Method for Phased Array of High-Frequency Surface Wave Radar Based on First-Order Sea Clutter

open access: yesRemote Sensing, 2023
The problem of accurate source localization has been an area of focus in high-frequency surface wave radar (HFSWR) applications. However, antenna pattern distortion (APD) decreases the direction-of-arrival (DOA) estimation performance of the multiple ...
Hongbo Li   +4 more
doaj   +1 more source

Tonal schemas: Evidence obtained by probing distorted musical scales [PDF]

open access: yesPerception & Psychophysics, 1987
Listeners were presented with a normal major diatonic scale or with a distortion of that scale obtained either by stretching or by equalizing its intervals. The scale was followed by a test tone, selected from a series of quarter tones spanning the range of the scale, and listeners rated how well the test tone fit in with the scale.
D S, Jordan, R N, Shepard
openaire   +2 more sources

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