Results 31 to 40 of about 267 (163)
Drammaturgia, 2023 This essay examines the presence of Alighieri’s poetry in the repertory and the self-promotion of Adelaide Ristori. During her career the exceptional tragic performer showed a clear interest in recitals where she used to combine excerpts from famous ...
Andrea Simone
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Prayer, Participation, and Perfection in Dante's Commedia
Modern Theology, Volume 41, Issue 3, Page 515-538, July 2025.Abstract This article stands at the intersection of two theological moments: one recognizing the theological authority of Dante Alighieri, especially in his Commedia, the other examining the relation of the doctrine of prayer to the doctrine of God. It argues that Dante can inform modern theological reflection on this relation in a profound way.
Stephen C. Pepper
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Quasi una catabasi. La Divina Commedia nella danza degli ultimi 200 anni. Parte I
Dante e l'Arte, 2017 Il saggio ripercorre due secoli di adattamenti coreografici della Divina Commedia (nell'ambito della danza classica, moderna e contemporanea), mettendoli in rapporto con la storia generale del ruolo di Dante nell'immaginario culturale d'Occidente, e ...
Roberto Fratini
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Dante Alighieri no teatro em Portugal: algumas notas sobre uma nova fortuna
Dante e l'Arte, 2022 A Commedia de Dante Alighieri desde cedo foi objeto de leituras públicas, que acabaram por se ramificar em leituras com algum grau de encenação. A par destas, a Vida e a obra do vate florentino foram também a base para adaptações teatrais, que se ...
Ana Beatriz Andrade
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Singing Community in Martin Luther's Kirchenlieder
The German Quarterly, Volume 98, Issue 1, Page 54-70, Winter 2025.Abstract In this essay, I claim that Martin Luther's Kirchenlieder can be read as Volkslieder, a reading which allows us to account for their function of consolidating identity through communal singing. Luther's songs, I argue, are activated in their being voiced—voice, here, understood in a non‐metaphorical mode, as the material utterance of a singing
Evan Strouss
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Nobile e ignobile simbolismo islamico nella 'Divina Commedia'
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2020 Rozpatrując zagadki "Boskiej Komedii", można przyjąć, że kultura muzułmańska była dobrze znana Dantemu, przede wszystkim poprzez dzieła takie jak "Księga Drabiny Mahometa", "Podróże Marco Polo" czy prace Riccolda z Montecroce.
Marino Alberto Balducci
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Transcultural Journal of Humanities and Social Sciences, 2022 Il presente articolo, presentato alla Conferenza dell'università Badr (il Cairo) in occasione del settimo centenario dalla morte di Dante Alighieri, ha come obiettivo quello di focalizzare l’attenzione sulla dimensione culturale e politica negli studi ...
Mahmoud Jaran
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EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”)*
Studia Universitatis Babeş-Bolyai. Musica, 2009 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
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La construzione del soggetto nella «Divina Commedia»
Caligrama: Revista de Estudos Românicos, 2011 Procuramos demonstrar, neste estudo, os percursos da maturação do Ego na Divina Comédia de Dante Alighieri. Baseamos, principalmente, no ensaio de Michel Pamier, “La fase del espejo y la formación del ‘yo’”, cujas etapas podemos compreender pela ...
Maria Miquelina Barra Rocha
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The Symbolism of the "Divina Commedia." [PDF]
The Expository Times, 1894 n ...
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