Results 51 to 60 of about 18,203 (205)
Singing Community in Martin Luther's Kirchenlieder
The German Quarterly, Volume 98, Issue 1, Page 54-70, Winter 2025.Abstract In this essay, I claim that Martin Luther's Kirchenlieder can be read as Volkslieder, a reading which allows us to account for their function of consolidating identity through communal singing. Luther's songs, I argue, are activated in their being voiced—voice, here, understood in a non‐metaphorical mode, as the material utterance of a singing
Evan Strouss
wiley +1 more source
Nobile e ignobile simbolismo islamico nella 'Divina Commedia'
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2020 Rozpatrując zagadki "Boskiej Komedii", można przyjąć, że kultura muzułmańska była dobrze znana Dantemu, przede wszystkim poprzez dzieła takie jak "Księga Drabiny Mahometa", "Podróże Marco Polo" czy prace Riccolda z Montecroce.
Marino Alberto Balducci
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Primo Levis "Se questo è un uomo" und Dante Alighieris "Divina Commedia" : ein Vergleich des Unvergleichbaren [PDF]
, 2009 Es gibt Werke, die aufgrund der Verschiedenartigkeit und Unvereinbarkeit ihrer Inhalte schlechthin unvergleichbar sind, aber dennoch den Vergleich herausfordern.
Iden, Kirsten
core
EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”)*
Studia Universitatis Babeş-Bolyai. Musica, 2009 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj
La construzione del soggetto nella «Divina Commedia»
Caligrama: Revista de Estudos Românicos, 2011 Procuramos demonstrar, neste estudo, os percursos da maturação do Ego na Divina Comédia de Dante Alighieri. Baseamos, principalmente, no ensaio de Michel Pamier, “La fase del espejo y la formación del ‘yo’”, cujas etapas podemos compreender pela ...
Maria Miquelina Barra Rocha
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The Symbolism of the "Divina Commedia." [PDF]
The Expository Times, 1894 n ...
openaire +2 more sources
EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”)
Studia Universitatis Babeş-Bolyai. Musica, 2009 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj
DNA Di Nulla Academia, 2022 The article proposes a textual and linguistic analysis of Il Mondo salvato dai ragazzini e altri poemi by Elsa Morante (Einaudi 1968): textual structure, sectoral languages, foreign words, dialectal words, great abundance of names and toponyms make a ...
Alessandra Zangrandi
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, 2015 L'article reprèn la qüestió de la presència dels trobadors en la Divina Comèdia de Dante, focalitzant l'atenció en el cas cèlebre de Bertran de Born. A partir d'una certa imatge típica del trobador exemplificada a l'obra d'Alfons Serra-Baldó i deutora en
Vilella, Eduard
core +1 more source
EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” – CONTENTS AND FORMS (I. PART – “INFERNO”)
Studia Universitatis Babeş-Bolyai. Musica, 2008 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj