Results 51 to 60 of about 18,132 (209)
di Dante Alighieri ; con spiegazioni tratte dal migliori commentarj e colla vita di Dante da Giovanni ...
Dante, Boccaccio, Giovanni
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EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (III. PART – “PARADISO”)*
Studia Universitatis Babeş-Bolyai. Musica, 2009 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj
La construzione del soggetto nella «Divina Commedia»
Caligrama: Revista de Estudos Românicos, 2011 Procuramos demonstrar, neste estudo, os percursos da maturação do Ego na Divina Comédia de Dante Alighieri. Baseamos, principalmente, no ensaio de Michel Pamier, “La fase del espejo y la formación del ‘yo’”, cujas etapas podemos compreender pela ...
Maria Miquelina Barra Rocha
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Primo Levis "Se questo è un uomo" und Dante Alighieris "Divina Commedia" : ein Vergleich des Unvergleichbaren [PDF]
, 2009 Es gibt Werke, die aufgrund der Verschiedenartigkeit und Unvereinbarkeit ihrer Inhalte schlechthin unvergleichbar sind, aber dennoch den Vergleich herausfordern.
Iden, Kirsten
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EDE TERÉNYI – MONO-OPERA “LA DIVINA COMMEDIA” FORM AND CONTENTS (II. PART – “PURGATORIO”)
Studia Universitatis Babeş-Bolyai. Musica, 2009 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj
DNA Di Nulla Academia, 2022 The article proposes a textual and linguistic analysis of Il Mondo salvato dai ragazzini e altri poemi by Elsa Morante (Einaudi 1968): textual structure, sectoral languages, foreign words, dialectal words, great abundance of names and toponyms make a ...
Alessandra Zangrandi
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, 2015 L'article reprèn la qüestió de la presència dels trobadors en la Divina Comèdia de Dante, focalitzant l'atenció en el cas cèlebre de Bertran de Born. A partir d'una certa imatge típica del trobador exemplificada a l'obra d'Alfons Serra-Baldó i deutora en
Vilella, Eduard
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EDE TERÉNYI – THE MONO-OPERA “LA DIVINA COMMEDIA” – CONTENTS AND FORMS (I. PART – “INFERNO”)
Studia Universitatis Babeş-Bolyai. Musica, 2008 Ede Terényi had come across the poetical work La Divina Commedia for the first time at the beginning of the 1970’s. As it was a turning point in his life as well, the work of Dante had a very sensitive influence in his own life as along thirty years of ...
Gabriela COCA
doaj
Rescrituras escénicas de la Divina Comedia en clave argentina
Dante e l'Arte, 2022 En este trabajo se analizan tres apropiaciones de la Commedia en las que se observan diversos procedimientos de la reescritura teatral. Como forma canónica de la intertextualidad, la reescritura puede operarse bajo la forma más sutil de la alusión, la ...
Liliana López
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The difficulty surrounding the interpretation of the eighth Bolgia of Dante's Inferno [PDF]
, 2003 The final voyage of Ulysses, which is recounted by the Greek hero in the eighth bolgia of Dante’s Inferno, has given rise to much critical debate. An authoritative reading of the episode has been difficult to establish because Ulysses’ monologue appears ...
Hawkes, Adrian
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