Results 1 to 10 of about 335 (109)

Note sulla violenza in Django Unchained

Iperstoria, 2013
L’idea che il lontano West sia il luogo della violenza è stata dominante per buona parte del Novecento.[1] Effettivamente la violenza è un ingrediente immancabile nel western,[2] ma se si analizza con attenzione un’opera qualsiasi di questo genere si può
Stefano Rosso
doaj   +5 more sources

Myth in Black: Revisionismo ed epica in Django Unchained

Iperstoria, 2018
This article aims to investigate the role of the German mythology in Quentin Tarantino’s revisionist western Django Unchained (2012). According to the following analysis, the director uses the western formula and aesthetics to characterize Django as a ...
Marta Cafiso
doaj   +3 more sources

Mumbo Django: Afroamericanità e western

Iperstoria, 2013
Il dibattito che è seguito all’uscita americana dell’ultimo film di Quentin Tarantino, Django Unchained (2012), è stato tale che scriverne crea non pochi problemi a chi vuole affrontare il film in modo critico. Da dove dovremmo cominciare?
Elisa Bordin
doaj   +2 more sources

Django Unchained: Directed by Quentin Tarantino [PDF]

Br J Gen Pract, 2013
Set in America’s Deep South 2 years before the Civil War, German former dentist turned bounty hunter Dr King Schultz (Christoph Waltz) purchases the slave Django (Jamie Foxx). Schultz is after a trio of outlaws, the notorious Brittle brothers, and only Django can identify them.
europepmc   +3 more sources

Django Unchained and the Neo-Blaxploitation Western

Iperstoria, 2013
Django Unchained’s treatment of slavery and race issues has polarized audiences, especially African-American audiences.[1] While Harvard professor and public intellectual Henry Louis Gates Jr.
Johannes Fehrle
doaj   +2 more sources

Incorporation of Myth in Quentin Tarantino’s Movie Django Unchained [PDF]

In Medias Res, 2017
What this exposure should shed light on the possibility of being used as a myth, is Tarantino’s incorporation of the German-Nordic myth called ‘’The ring of the Nibelung’’.
Vesna Maričić
doaj   +1 more source

DJANGO UNCHAINED QUENTINA TARANTINO [PDF]

The Polish Journal of Aesthetics, 2014
Patryk Miernik
doaj   +3 more sources

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012)

University of Chitral Journal of Linguistics and Literature, 2022
This paper focuses on one of the most important screenplays, Django Unchained (2012), by the famous Hollywood auteur Quentin Tarantino. The story revolves around the life of a slave family, and Django is the central protagonist, a runaway slave, who had ...
Salman Hamid Khan, Irfan Ali Shah, Dr.
doaj   +3 more sources

The New Spaghetti Western: the Southern

Iperstoria, 2013
The release of Quentin Tarantino’s Django Unchained in 2012 has stirred a renewed interest in Western films. The film pays homage to the Italian sub-genre of Spaghetti Westerns and has the ambition to create a completely new genre, the “Southern”.
Arianna Mancini
doaj   +1 more source

Prefazione

Iperstoria, 2013
Uscito negli Stati Uniti il giorno di Natale del 2012, e in Italia alcuni mesi dopo, Django Unchained, l’ultimo film di Quentin Tarantino, è stato accolto con grande interesse e posto al centro di un vivace dibattito.
Elisa Bordin, Stefano Bosco
doaj   +1 more source