Results 1 to 10 of about 227 (166)
Malditos bastardos (Quentin Tarantino)
Vivat Academia, 2009 Reseña.
Jesús Miguel Sáez-González
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Estudio de la transtextualidad en el cine de Quentin Tarantino
La Palabra, 2021 El cine y la literatura tienen amplias e importantes relaciones prácticas y teóricas. En relación con las últimas, la teoría de la transtextualidad, creada por Gérard Genette, ha jugado un rol fundamental, debido al vasto número de referencias que se ...
Gabriel Alexander Dumont González
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European Journal of Philosophy, Volume 29, Issue 4, Page 1115-1135, December 2021., 2021 Abstract The orthodox view of anger takes desires for revenge or retribution to be central to the emotion. In this paper, I develop an empirically informed challenge to the retributive view of anger. In so doing, I argue that a distinct desire is central to anger: a desire for recognition.
Laura Silva
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Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012)
University of Chitral Journal of Linguistics and Literature, 2022 This paper focuses on one of the most important screenplays, Django Unchained (2012), by the famous Hollywood auteur Quentin Tarantino. The story revolves around the life of a slave family, and Django is the central protagonist, a runaway slave, who had ...
Salman Hamid Khan, Irfan Ali Shah, Dr.
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Kinship on the waterfront: logistics labour in a global port
Journal of the Royal Anthropological Institute, Volume 27, Issue 3, Page 518-533, September 2021., 2021 Abstract This article examines how kinship forms a contested element of labour under capitalist distribution. The focus of the article is on a thriving Spanish container port where the dockworker collective has been steadily growing since the multinational companies first arrived in the 1970s.
Hege Høyer Leivestad
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CONSCIOUSNESS AND MORAL RESPONSIBILITY: SKEPTICAL CHALLENGES AND THEOLOGICAL REFLECTIONS
Zygon®, Volume 56, Issue 3, Page 641-665, September 2021., 2021 Abstract Some philosophers and scientists have argued that we humans cannot be held morally responsible for anything. Invoking results of the neurosciences and the cognitive sciences, they argue that humans lack the kind of conscious control and awareness required for moral responsibility. For theological ethics and Christian theology as a whole, moral
Aku Olavi Visala
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Iperstoria, 2013 Uscito negli Stati Uniti il giorno di Natale del 2012, e in Italia alcuni mesi dopo, Django Unchained, l’ultimo film di Quentin Tarantino, è stato accolto con grande interesse e posto al centro di un vivace dibattito.
Elisa Bordin, Stefano Bosco
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Music, Sampling, and Musical Intertextuality in Quentin Tarantino's Django Unchained
Iperstoria, 2015 According to both critics and the general public, Quentin Tarantino is probably one of the most respected, applauded—and despised—contemporary directors.
Amaia Ibarraran-Bigalondo
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Django Unchained and the Neo-Blaxploitation Western
Iperstoria, 2013 Django Unchained’s treatment of slavery and race issues has polarized audiences, especially African-American audiences.[1] While Harvard professor and public intellectual Henry Louis Gates Jr.
Johannes Fehrle
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La patrulla multiétnica en la Segunda Guerra Mundial: nuevas perspectivas sobre el cine de combate
Revista de Filología Románica, 2017 Se repasa aquí la evolución del cine de la Segunda Guerra Mundial que tiene como centro la peripecia de un pequeño grupo de soldados –patrulla o escuadrón– sometido a la tensión del combate y que presentan orígenes culturales diversos.
Francesc Sánchez Barba
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