Results 41 to 50 of about 227 (166)

Un "dj set" d'autore. Pratiche compilative nel cinema di Paolo Sorrentino

Schermi, 2020
This essay analyses Paolo Sorrentino’s production from the perspective of the compilation soundtracks he assembles for his films. While “La grande bellezza” appears to synthesize many of the aspects of a patchwork of different songs, the overall ...
Paola Valentini
doaj   +1 more source

Affect Unchained: Violence, Voyeurism and Affection in the Art of Quentin Tarantino

Eidos. A Journal for Philosophy of Culture, 2020
In the first part of the paper the author briefly revisits two of the most important traditions that stand behind the contemporary conceptualizations of affect: the Deleuzian tradition and the Lacanian one.
Adam Lipszyc
doaj   +1 more source

Cultural representations of contemporary Mexican drug culture: Dark humour and irony in relation to the abject

The European Journal of Humour Research, 2015
Ever since Felipe Calderón declared the war on drugs at the beginning of his presidency in 2006, violence has drastically permeated Mexican society. In this paper, I will focus on the different uses of dark humour and irony in the representation of the ...
Brigitte Adriaensen
doaj   +3 more sources

Utilización del brand placement en la filmografía de Quentin Tarantino

Revista Mediterránea de Comunicación
La utilización del product placement como herramienta de comunicación y publicidad en los medios audiovisuales se ha ido incrementando en las últimas dos décadas al tiempo que iba decayendo el empleo de otras formas más tradicionales debido a un aumento
Óscar Gutiérrez-Aragón, Joan-Francesc Fondevila-Gascón, Ariadna Gassiot-Melian, Minerva Hidalgo-Naharro   +3 more
doaj   +1 more source

Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique

Transatlantica, 2016
Produced by Quentin Tarantino, the first two installments of Hostel (Eli Roth, 2005, 2007) belong to a subgenre of horror that emerged in the early 2000s, the torture porn, and are heavily influenced by exploitation films.
Pierre Jailloux
doaj   +1 more source

Estrategias de atenuación del lenguaje soez: algunos procedimientos lingüísticos en el doblaje para Hispanoamérica de la película "Death Proof"

Estudios de Traducción, 2013
Una de las principales peculiaridades del estilo de los guiones cinematográficos firmados por Quentin Tarantino, como es el caso de Death Proof (2007), consiste en la abundancia de diálogos repletos de coloquialismos, expresiones malsonantes y lenguaje ...
Livia Cristina García Aguiar, Rocío García Jiménez   +1 more
doaj   +1 more source

Não fale bobagens: interferências textuais na fotografia

Palíndromo, 2020
A presente pesquisa busca apresentar a participação da tipografia na arte contemporânea por meio da produção autoral de fotografias ficcionais, utilizando como referência os artistas Mona Hatoum e Ed Rusha e os diretores de cinema Quentin Tarantino e ...
Havane Maria Bezerra de Melo
doaj   +1 more source

Présence(s) et absence(s) des relations sororales dans les fictions de meurtrières : politiser la violence des femmes au prisme du collectif

Savoirs en Lien
L’article explore la représentation des relations sororales dans les fictions de femmes meurtrières, en s’interrogeant sur les différentes conceptions de l’empowerment féminin, entre individualisme postféministe et dynamique collective.
Pauline Julia
doaj   +1 more source

Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004)

Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2015
The following analysis of the live action fight scenes in Kill Bill attempts to show that they play an integral part in terms of narrative, dramatic and metafictional intent, and ultimately to assess to what extent the treatment of profilmic and ...
David Roche
doaj   +1 more source

Index of Authors and Co‐Authors

, 2019
United European Gastroenterology Journal, Volume 7, Issue S8, Page 1031-1074, October 2019.
wiley   +1 more source