Results 31 to 40 of about 227 (166)
Symposium on Erving Goffman and the Cold War, by Gary D. Jaworski
The symposium on Gary D. Jaworski's book Erving Goffman and the Cold War is based on an "Author meets Critics" event held at the European SSSI 2024 Conference in Pisa. After a brief introduction by Dirk vom Lehn, Gary Jaworski briefly suggests his motivation for writing the book.
Chiara Bassetti +4 more
wiley +1 more source
The paper aims to present pulp as one of the main genres of contemporary Italian literature. This extreme kind of noir was born in the 1990s and immediately gained popularity among readers and caused controversy amid critics: from high and flattering ...
Agnieszka Firlej
doaj +1 more source
Revenge is a dish best served cold”: the construction of cinematic landscape in Tarantino.
The objetive of this reflection is to discuss the construction of the cinematic landscape in Quentin Tarantino movies Kill Bill vol. 01 and Kill Bill vol. 02.
Karina Eugenia Fioravante, Almir Nabozny
doaj +1 more source
Introduction: Exile and Innovation☆
Abstract The early modern period was an age marked by the forced migration and displacement of social groups and individuals around the world. Huguenots, conversos, Catholics, cavaliers, Jacobites, and French emigrés alike fled or were expelled from their homes and communities.
Annalisa Nicholson, Christophe Gillain
wiley +1 more source
Unwinding NFTs in the shadow of IP law
Abstract Amid the surge of intellectual property (IP) disputes surrounding non‐fungible tokens (NFTs), some scholars have advocated for the application of personal property or sales law to regulate NFT minting and transactions, contending that IP laws unduly hinder the development of the NFT market. This Article counters these proposals and argues that
Runhua Wang, Jyh‐An Lee, Jingwen Liu
wiley +1 more source
O diário de David Carradine: Kill Bill, de Quentin Tarantino
O artigo tem por objetivo discutir o processo de criação cinematográfico, a partir dos diários mantidos por David Carradine ao longo do percurso de filmagem do filme Kill Bill, de Quentin Tarantino.
Cecília Almeida Salles
doaj
O exercício do acontecimento: estetização da violência em Pulp Fiction
Com base principalmente na teoria tensiva desenvolvida por Claude Zilberberg, este artigo tem como principal meta averiguar quais procedimentos cinematográficos são adotados no filme Pulp Fiction para modular os efeitos de sentido causados pela violência,
Gabriela dos Santos e Silva +1 more
doaj +1 more source
Myth in Black: Revisionismo ed epica in Django Unchained
This article aims to investigate the role of the German mythology in Quentin Tarantino’s revisionist western Django Unchained (2012). According to the following analysis, the director uses the western formula and aesthetics to characterize Django as a ...
Marta Cafiso
doaj +1 more source
Alternatives of Languages and Worlds: Multilingualism as Critique of Ideology in Contrafactual Fiction by Quentin Tarantino and Christian Kracht. Multilingualism and the alternate history genre have something in common: both phenomena are based on the ...
Michael Navratil
doaj +1 more source
Django, Stephen, e gli stereotipi sugli afroamericani
Uscito nelle sale cinematografiche nel 2012, il film Django Unchained, scritto e diretto da Quentin Tarantino, ha subito destato pareri discordanti a proposito delle tematiche incluse e della prospettiva con cui esse sono prese in esame: ambientato nel ...
Sara Corrizzato
doaj +1 more source

