Results 1 to 10 of about 14,758 (217)

Tarantino

Revista Internacional de Pensamiento Político, 2023
El cine de Tarantino recurre constantemente a la violencia, pero lo hace tomando en cuenta ciertos elementos que la justifican a ojos del espectador.
Miguel Fernández de la Peña
doaj   +5 more sources

Tarantino the Cartoonist [PDF]

Animation, 2007
In cinema it is not uncommon to see the interrelation of animation and live action but, despite this, the ascription of characteristics of one medium onto the other has been largely one-dimensional: live action upon animation. The films of Quentin Tarantino, however, illustrate an attribution of a cartoon-like aesthetic in live-action sequences, which ...
Chris Pallant, Pallant, C.
openaire   +3 more sources

O teatro segundo Tarantino

Sinais de Cena, 2007
Recensão às obras Stabat Mater e Paixão segundo João, de Antonio Tarantino (tradução de Tereza Bento, Lisboa, Artistas Unidos – Livros Cotovia, Livrinhos de Teatro n.º 11, 2005). 
Sebastiana Fadda
doaj   +4 more sources

Plurilinguismo tra adattamenti, fraintendimenti, parodie, da Ruzante a Tarantino, nella scena italiana [PDF]

Studia Universitatis Hereditati, 2019
Among the various sources, the Pirandellian novel of 1902, Lontano, with some Ibsenian influences, serves to focus on the different, contradictory implications relating to Babel’s grace/misfortune.
Paolo Puppa
doaj   +1 more source

Magical Hero and Systemic Racism: An Investigation of Quentin Tarantino’s Django Unchained (2012)

University of Chitral Journal of Linguistics and Literature, 2022
This paper focuses on one of the most important screenplays, Django Unchained (2012), by the famous Hollywood auteur Quentin Tarantino. The story revolves around the life of a slave family, and Django is the central protagonist, a runaway slave, who had ...
Salman Hamid Khan, Irfan Ali Shah, Dr.
doaj   +3 more sources

The Truth in the Script and the Untruth in the Movie: Tarantino’s Rewriting of American History

Iperstoria, 2021
In his historical movies, Quentin Tarantino rereads and rewrites three critical moments of the American past. An interesting strategy he uses is that of introducing different imaginary artifacts into the narration: a film-within-the-film (The Pride of a ...
Enrico Botta
doaj   +1 more source

Music, Sampling, and Musical Intertextuality in Quentin Tarantino's Django Unchained

Iperstoria, 2015
According to both critics and the general public, Quentin Tarantino is probably one of the most respected, applauded—and despised—contemporary directors.
Amaia Ibarraran-Bigalondo
doaj   +1 more source

Un western al secondo grado: la forma parodica in Django Unchained

Iperstoria, 2013
Sostenuto da un’imponente campagna pubblicitaria e mediatica, forte di un cast di attori di primissimo livello e presentandosi innanzitutto col marchio di fabbrica ‘film di Tarantino’, Django Unchained (2012) ha rappresentato anche un ritorno fortunato ...
Stefano Bosco
doaj   +1 more source

Django Unchained and the Neo-Blaxploitation Western

Iperstoria, 2013
Django Unchained’s treatment of slavery and race issues has polarized audiences, especially African-American audiences.[1] While Harvard professor and public intellectual Henry Louis Gates Jr.
Johannes Fehrle
doaj   +1 more source

Malditos bastardos (Quentin Tarantino)

Vivat Academia, 2009
Reseña.
Jesús Miguel Sáez-González
doaj   +1 more source