Results 11 to 20 of about 14,758 (217)

Quentin Tarantino [PDF]

open access: yes, 2015
Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, cinematographer, producer, and actor. Tarantino grew up an obsessed film fan and worked at Video Archives, a video rental store while training to act. Tarantino is a shining example of self-education, he never studied at universities or academies of directory and
Levitskiy, M.V.
openaire   +2 more sources

DJANGO UNCHAINED QUENTINA TARANTINO [PDF]

open access: yesThe Polish Journal of Aesthetics, 2014
Patryk Miernik
doaj   +1 more source

A ANTÍTESE DA FRONTEIRA: O WESTERN DE QUENTIN TARANTINO E O SECCIONALISMO

open access: yesRevista de História das Ideias, 2017
A fronteira oeste dos Estados Unidos tornou-se elemento definidor de suas identidade e narrativa nacional a partir da frontier thesis de Frederick Jackson Turner, e no século XX, o cinema, através do gênero western, cristalizou elementos essenciais que ...
Rafael Gonçalves Borges
doaj   +1 more source

Società Italiana delle Letterate

open access: yesAltre Modernità, 2018
Identità, scritture, esperienze in relazione. Il Concorso Lingua Madre: da tredici anni per dare voce alle donne migranti     Paola Marchi Grafie del sé.
Serena Guarracino
doaj   +1 more source

Os oito odiados: o cinema épico de Quentin Tarantino

open access: yesRaído, 2017
Propomos, neste artigo, uma leitura da película Os oito odiados (2015), de Quentin Tarantino, naquilo em que ela pode ser aproximada do teatro épico de Bertolt Brecht, utilizando, para qualificá-la, a rubrica cinema épico. Os objetivos deste trabalho são
Rosana Cristina Zanelatto Santos
doaj   +1 more source

“Revenge is never a straight Line:” Whitewashing Blackness, Blaxploitation and the Development of White Imagery in Tarantino’s Django Unchained

open access: yesLitera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi
Despite its release dates back to 2012, Tarantino’s Django Unchained remains one of the most visual and memorable cinematic representations of slavery in American cinema.
Beatrice Melodia Festa
doaj   +1 more source

Incorporation of Myth in Quentin Tarantino’s Movie Django Unchained [PDF]

open access: yesIn Medias Res, 2017
What this exposure should shed light on the possibility of being used as a myth, is Tarantino’s incorporation of the German-Nordic myth called ‘’The ring of the Nibelung’’.
Vesna Maričić
doaj  

Mechanics of high-flexible beams under live loads [PDF]

open access: yes, 2020
In this paper the mathematical formulation of the equilibrium problem of high-flexible beams in the framework of fully nonlinear structural mechanics is presented. The analysis is based on the recent model proposed by L. Lanzoni and A.M.
Angelo Marcello, Lanzoni Luca, Tarantino
core   +1 more source

Cenię swoją niezależność. Z Billem Plymptonem rozmawia Bogusław Zmudziński

open access: yesKwartalnik Filmowy, 2016
Bogusław Zmudziński, założyciel i dyrektor artystyczny Międzynarodowego Festiwalu Filmowego Etiuda&Anima, rozmawia z Billem Plymptonem o byciu twórcą niezależnym w USA, o chęci podbicia rynku animacji dla dorosłych, o amerykańskim podejściu do kwestii ...
Bogusław Zmudziński
doaj   +1 more source

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