Results 11 to 20 of about 227 (166)

Fostamatinib is an effective second‐line therapy in patients with immune thrombocytopenia [PDF]

open access: yesBritish Journal of Haematology, Volume 190, Issue 6, Page 933-938, September 2020., 2020
Abstract Fostamatinib demonstrated efficacy in phase 3 trials of adults with immune thrombocytopenia (ITP). Post hoc analysis compared patients who received fostamatinib as second‐line therapy (after steroids ± immunoglobulins) versus third‐or‐later‐line therapy (after ≥2 prior lines of therapy including a second‐line agent). Platelet responses ≥50 000/
Ralph Boccia   +10 more
wiley   +2 more sources

Django Unchained: Directed by Quentin Tarantino [PDF]

open access: yesBritish Journal of General Practice, 2013
Set in America’s Deep South 2 years before the Civil War, German former dentist turned bounty hunter Dr King Schultz (Christoph Waltz) purchases the slave Django (Jamie Foxx). Schultz is after a trio of outlaws, the notorious Brittle brothers, and only Django can identify them.
openaire   +2 more sources

Index of Authors and Co‐Authors [PDF]

open access: yesUnited European Gastroenterol J, 2023
United European Gastroenterology Journal, Volume 11, Issue S8, Page 1499-1542, October 2023.
wiley   +2 more sources

Index of Authors and Co‐Authors [PDF]

open access: yesUnited European Gastroenterol J
United European Gastroenterology Journal, Volume 13, Issue S8, Page 1559-1604, October 2025.
wiley   +2 more sources

Quentin Tarantino : du cinéma d’exploitation au cinéma

open access: yesTransatlantica, 2016
It is fairly obvious that Tarantino has contributed to making exploitation cinema, if not universally popular, at least acceptable to a wider audience than its initial niche fans.
Philippe Ortoli
doaj   +1 more source

Un western al secondo grado: la forma parodica in Django Unchained

open access: yesIperstoria, 2013
Sostenuto da un’imponente campagna pubblicitaria e mediatica, forte di un cast di attori di primissimo livello e presentandosi innanzitutto col marchio di fabbrica ‘film di Tarantino’, Django Unchained (2012) ha rappresentato anche un ritorno fortunato ...
Stefano Bosco
doaj   +1 more source

A ANTÍTESE DA FRONTEIRA: O WESTERN DE QUENTIN TARANTINO E O SECCIONALISMO

open access: yesRevista de História das Ideias, 2017
A fronteira oeste dos Estados Unidos tornou-se elemento definidor de suas identidade e narrativa nacional a partir da frontier thesis de Frederick Jackson Turner, e no século XX, o cinema, através do gênero western, cristalizou elementos essenciais que ...
Rafael Gonçalves Borges
doaj   +1 more source

Os oito odiados: o cinema épico de Quentin Tarantino

open access: yesRaído, 2017
Propomos, neste artigo, uma leitura da película Os oito odiados (2015), de Quentin Tarantino, naquilo em que ela pode ser aproximada do teatro épico de Bertolt Brecht, utilizando, para qualificá-la, a rubrica cinema épico. Os objetivos deste trabalho são
Rosana Cristina Zanelatto Santos
doaj   +1 more source

Note sulla violenza in Django Unchained

open access: yesIperstoria, 2013
L’idea che il lontano West sia il luogo della violenza è stata dominante per buona parte del Novecento.[1] Effettivamente la violenza è un ingrediente immancabile nel western,[2] ma se si analizza con attenzione un’opera qualsiasi di questo genere si può
Stefano Rosso
doaj   +1 more source

The New Spaghetti Western: the Southern

open access: yesIperstoria, 2013
The release of Quentin Tarantino’s Django Unchained in 2012 has stirred a renewed interest in Western films. The film pays homage to the Italian sub-genre of Spaghetti Westerns and has the ambition to create a completely new genre, the “Southern”.
Arianna Mancini
doaj   +1 more source

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