Results 51 to 60 of about 335 (109)
“Sold American!”: Examining Tarantino’s Django Unchained
, 2018 This paper examines the twenty-first century film Django Unchained in order to explore how the self or the fashioning of one’s self be can mobilized to secure uninterrupted mobility, whether physical, economic, or political.
Guerrero, Julie Angeline
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Un western al secondo grado: la forma parodica di Django Unchained
, 2013 Applicando la definizione di parodia di Linda Hutcheon, Stefano Bosco analizza il film di Tarantino Django Unchained (2012) attraverso questa griglia interpretativa per svelarne il carattere intimamente parodico all'interno della tradizione del cinema ...
Bosco, Stefano
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, 2022 In this thesis study, Tarantino’s two films, Inglourious Basterds (2009) and Django Unchained (2012), were analyzed in terms of narration strategies. These films, which could be described as Historiographic Metafiction shaped by postmodern perspective, stand out as examples to distinctive storytelling frequently employed by Tarantino.
TEKAY, BARAN, Behlil, Melis
openaire +1 more source
Proceedings of the World Molecular Imaging Congress 2021, October 5-8, 2021: General Abstracts. [PDF]
Mol Imaging Biol, 2021 europepmc +1 more source
The Subject Effaced: Identity and Race in Django Unchained
, 2016 Quentin Tarantino’s stated ambition for Django Unchained was to create a film that grapples with “America’s horrible past with slavery . . . but do them like spaghetti westerns.” This article considers the implications of those priorities—a serious ...
Dunham, Jarrod, Jarrod Dunham
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Cowboys in Candyland:Quentin Tarantino’s Django Unchained and the Southern Frontier
, 2017 With Quentin Tarantino’s most recent film, Django Unchained, the Western’s generic promise of ‘regenerative violence’ has been taken to a few frontier: the Southern frontier to the land of ‘human property.’ What happens, the film seems to ask when ...
Bieger, Laura
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The African-American Characters’ Mimicry Act In Django Unchained The Movie [PDF]
, 2017 Dalam film Django Unchaine (2012) penulis melihat bahwa masalah sosial jelas digambarkan dalam film oleh dua karakter Afrika-Amerika Utama. Mereka adalah Django sebagai karakter utama dan Stephen sebagai karakter Afrika-Amerika lainnya yang menentang ...
Rachmadi, Irfan
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Connotative Meanings in Quentin Tarantino’s “Django Unchained” Film Script: A Semantics Study.
, 2023 Semantik disebut sebagai studi tentang makna. Ini memainkan peran kunci dalam studi komunikasi juga. Namun, ada kalanya pesan tidak dapat disampaikan dengan sempurna karena penerima tidak memiliki pemahaman tentang apa pesan itu.
Fatimah, S.Pd., M.Appl.Ling. +1 more
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The hidden identity of faces: a case of lifelong prosopagnosia. [PDF]
BMC Psychol, 2019 Wegrzyn M +4 more
europepmc +1 more source
Representation of African americanthrough the main male character in django unchained film
The research concerns in analyzing the representation and the racism ideology of African American in Django Unchained film. The research focuses on the representation of an African American named Django and how the racism ideology appeared in the ...
Atikah Hanifati
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