Results 81 to 90 of about 335 (109)

Django unpacked: A student forum on Django Unchained

Psychoanalysis, Culture & Society, 2014
Discussions of America’s history of slavery can lead to paralysis in contemporary audiences who prefer the wish-fulfilling fantasy of films like Django Unchained that, like myths of a postracial society, suppress the trauma of this history and its ongoing legacy.
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Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema

, 2016
This chapter explores both Quentin Tarantino's Django Unchained and Miike Takashi's Sukiyaki Western Django (2007) as they reference the Spaghetti Westerns, specifically the films of Sergio Corbucci.
Mikel J. Koven
exaly   +2 more sources

Django Unchained: Tarantino come American director

2014
Analisi dell'opera recente del regista contemporaneo Tarantino tesa a ricostruire la sua posizione culturale nel panorama identitario del cinema ...
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Django Unchained , Voyeurism Unleashed

Contexts, 2013
In his latest shock-fest, director Quentin Tarantino cloaks a revenge fantasy in a redemptive slave story and leaves a bad taste in one sociologist’s mouth.
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The D Is Silent:Django Unchainedand the African American West

Safundi, 2015
Although director Quentin Tarantino has described Django Unchained as belonging to a “new, virgin-snow kind of genre,” the African American western is not new at all. Following Tarantino’s lead (his claim of striking out into virgin territory with Django), reviews of the film suggest a too ready willingness to attribute to a white screenwriter and ...
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Introduction:Django Unchainedand the Global Western

Safundi, 2015
This special issue originates in a standing-room-only session devoted to Quentin Tarantino’s 2012 film Django Unchained at the 2013 meeting of the Western Literature Association in Berkeley.
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Response: “Goodbye Miss Lara!” or what’s Slavery got to do with it? Regeneration through Violence inDjango Unchained?

Safundi, 2015
Erica L Ball
exaly  

Quentin Tarantino, Django Unchained

Forma de Vida, 2013
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Representation of Social Conflict in the Film Django Unchained

This research is titled “Representation of Social Conflict in the Film Django Unchained”. This research purposes are to identify and describe social conflicts that occur in the film Django Unchained using the perspective of Karl Marx’s conlict theory. Marx stated that in every society there must be a dominant party and dominated pary, both parties have
Mustika, Rizki Taufik, Bustam, Muhammad Rayhan   +1 more
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Django Unchained and the Psychology of Revenge

PsycCRITIQUES, 2013
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