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La fuerza de la Biblia en el cine. [PDF]

, 2005
Orellana, J. (Juan)
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Dogville, or, the Dirty Birth of Law

Thesis Eleven, 2006
While avoiding the pretence of producing an exhaustive reading of such a complex object as Lars Von Trier's Dogville, this article selectively uses the film to explore the process of the emergence of a new legality and a new set of legal relationships within a community.
Andrea Mubi Brighenti
exaly   +4 more sources

Dogville Cinema of the brain

2016
exaly   +2 more sources

Filmische Unorte in Lars von Triers Dogville

Mainzer Historische Kulturwissenschaften, 2010
exaly   +4 more sources

Dogville: Lars Von Trier’s Desexualized America

2016
exaly   +2 more sources

Lars von Trier's Dogville: A Feel-Bad Film

2011
exaly   +2 more sources

An Inscrutable Face: Nicole Kidman in Dogville

2012
exaly   +2 more sources

DIAKONIA Filmtipp: Dogville

1970
Diakonia, Bd. 35 Nr.
openaire   +1 more source

Dogville revisitado

Debates (Universidad de Antioquia)
Este ensayo expone de manera concisa una interpretación de Dogville de Lars von Trier, a 22 años de su estreno en el Festival de Cannes. En diálogo con el aparato conceptual de Paul Ricoeur se evidencia que el procedimiento cinematográfico implica un viraje noseológico y una aguda crítica a los límites ideológicos de la modernidad anglosajona.
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Dogville: Destruction is Architectural

This article is on the architectural discussion of a four-fold portrayal of Lars von Trier’s film Dogville. The film is about a lonely woman’s refuge in a middle-ofnowhere American town and how the town community turns her into a slave. The film was shot in a dark hangar and has a single stage that is only decorated with chalk lines.
openaire   +1 more source