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Dogville: Woman as an Ideological Cinematic Tool

2016
Chapter 5 looks beyond the idea that Dogville is a direct onslaught on America. As one of the most interesting European takes on America, the film seems to be not just a stylistically anti-Hollywood, as well as thematically anti-American, film, but even an anti-cinematic film with its depthlessness and formal organization, which perhaps make it the ...
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Dogville. Della mancata redenzione

2008
Questo scritto è in realtà un saggio filosofico, ispirato da un film - appunto Dogville - che più di molti altri riesce a generare una serie di interrogativi fondamentali. Dogville chiama da subito lo spettatore a riflettere su quanto vede: questioni politiche, morali, religiose, legate al diritto ed estetiche si intrecciano traendo una dall’altra ...
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Ο ξένος στον κινηματογράφο : η περίπτωση Dogville

2012
Διπλωματική εργασία - Πάντειο Πανεπιστήμιο.
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Landscapes and Aporias in Lars von Trier’s Dogville

2014
Dogville is unlike any of the other pieces analysed in this book in that it is not a live performance or a piece of theatre, but a film. Thus the balance between the dimension of the theatrical live performance and the cinematic becomes wholly contained within the film medium. There are no aisthetic effects in Dogville as such and the post-cinematic is
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Postmodernistička poetika filma Dogville Larsa von Triera

Suvremena pitanja, 2012
U radu se pristupilo analizi igranoga filma Dogville (2003.), odnosno potvrđivanju primjene epskih teoretskih načela na film uočavajući postmodernistički dijalog starijega i novijega medija. U prilogu se određuje postmodernistička poetika, odnosno determiniraju se oblici inspiracije danskoga redatelja Larsa von Triera u odnosu na Bertolta Brechta kako ...
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Dogville vs Hollywood

Choice Reviews Online, 2006
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Dogville di Lars von Trier

2005
Filippo Del Lucchese, Andrea Panzavolta
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EXPLORING ESSENCE AND ETHICS THROUGH DOGVILLE: KEY INSIGHTS

Lars Von Trier, the acclaimed filmmaker, has challenged and redefined the art of cinema through his distinctive and provocative films. This article explores how Von Trier's work, including his groundbreaking film "Dogville," has reshaped cinematic conventions and aesthetic experiences.
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BENEATH THE SURFACE: WHAT DOGVILLE REVEALS ABOUT US

Lars Von Trier has consistently challenged the boundaries of cinematic form, narrative, and aesthetics through his radical and emotionally charged films. This article explores his transformative impact on contemporary cinema, with a particular focus on Dogville (2003), a film that marked a decisive break from conventional storytelling and production ...
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