Results 101 to 110 of about 1,711 (143)

An allegory of a therapeutic reading: on Melancholia [PDF]

, 2014
Read, Rupert
core  

La fuerza de la Biblia en el cine. [PDF]

, 2005
Orellana, J. (Juan)
core  

Atracos [PDF]

Vidal, Roi
core   +2 more sources

Lawrence's plays on the stage: an evolution from 2009 to 2016 [PDF]

, 2016
Moran, James
core  

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Dogville revisitado

Debates (Universidad de Antioquia)
Este ensayo expone de manera concisa una interpretación de Dogville de Lars von Trier, a 22 años de su estreno en el Festival de Cannes. En diálogo con el aparato conceptual de Paul Ricoeur se evidencia que el procedimiento cinematográfico implica un viraje noseológico y una aguda crítica a los límites ideológicos de la modernidad anglosajona.
Fabián . Aguirre
openaire   +2 more sources

Dogville: Woman as an Ideological Cinematic Tool

2016
Chapter 5 looks beyond the idea that Dogville is a direct onslaught on America. As one of the most interesting European takes on America, the film seems to be not just a stylistically anti-Hollywood, as well as thematically anti-American, film, but even an anti-cinematic film with its depthlessness and formal organization, which perhaps make it the ...
A. Elbeshlawy
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A Study on von Trier’s Dogville: An Amalgam of Aristotelian Dramatic Theatre and Brechtian Epic Theatre

4. BOYUT Medya ve Kültürel Çalışmalar Dergisi / 4. BOYUT Journal of Media and Cultural Studies, 2022
The purpose of Brechtian epic theatre was to break the illusion of mimesis that is achieved by dramatic theatre through the use of mimetic and teleological drive.
Ercan Akı
semanticscholar   +1 more source

Justice, Revenge, and Unexpected Theodicy in Lars Von Trier's Dogville and Euripides' Medea

Arethusa, 2021
:Lars von Trier's 2003 film Dogville shares extensive plot parallels with Euripides' Medea. Through elements such as classical and Biblical names (Jason, Achilles, Grace) and Greek words scrawled on a chalkboard, von Trier invites his viewer to read the ...
B. Haller
semanticscholar   +1 more source

Dogville Cinema of the brain

Deleuze's Cinema Books, 2016
openaire   +2 more sources

Dogville, or, the Dirty Birth of Law

Thesis Eleven, 2006
While avoiding the pretence of producing an exhaustive reading of such a complex object as Lars Von Trier's Dogville, this article selectively uses the film to explore the process of the emergence of a new legality and a new set of legal relationships within a community.
openaire   +3 more sources