The Aesthetics of Representation: Dramatic Texts and Dramatic Engagement [PDF]
There are several ways in which aesthetic discourses might be positioned in the field of drama education. While some might locate "aesthetics" in the cognitive or interpretive realm of learning, and others the affective or philosophical realm, I have chosen to speak of the discourses of aesthetics as they relate to both cognitive and embodied responses
Kathleen Gallagher
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Dramatic Representation of Trench Space as an ‘Experiential Ruin’ in R.C. Sherriff’s Journey’s End and Sean O’Casey’s The Silver Tassie [PDF]
Physical forms of ruin and psychological forms of ruination is an area within spatial theory that will enhance literary studies, especially literature of the First World War.
Patterson, Jonathan
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Some Phases of Dramatic Representation in Primary Grades [PDF]
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Jennie Hall, Fourth-Grade Children
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Dramatically Increased Rearrangement and Peripheral Representation of Vβ14 Driven by the 3′Dβ1 Recombination Signal Sequence [PDF]
V(D)J recombination is targeted by short recombination signal (RS) sequences that are relatively conserved but exhibit natural sequence variations. To evaluate the potential of RS sequence variations to determine the primary and peripheral TCRbeta repertoire, we generated mice containing specific replacement of the endogenous Vbeta14 RS with the 3 ...
Çherry Wu +5 more
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Exploring the Playwright’s Self-Representation in Tom Stoppard’s Dramatic Works [PDF]
This article examines two masterpieces by the British playwright and screenwriter Tom Stoppard: the two-act play The Real Thing and the screenplay Shakespeare in Love. These works employ the author-as-character technique in disparate ways. This study will endeavor to demonstrate how the playwright interweaves artistic and realist elements, as well as ...
Ilham EL MAJDOUBI
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“Moments of Grace?” The “Dramatic” Representation and the Aesthetic of Ageing [PDF]
Jennifer L. Walden
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A Study on the Dramatic Representation and Discourse Forms of Lyrical Poetry
Hyunchul Ko
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can you hear me? by Simona Semenič and the question of no-longer-dramatic writing [PDF]
In the article, the author analyses three plays by Simona Semenič that were published in the book can you hear me? (2017). At first sight, the three pieces appear to be written in Semenič’s now-familiar writing style with no punctuation marks or upper ...
Gašper Troha
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This article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011).
Axel Artheron
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