Results 1 to 10 of about 103,919 (263)

can you hear me? by Simona Semenič and the question of no-longer-dramatic writing [PDF]

Amfiteater, 2021
In the article, the author analyses three plays by Simona Semenič that were published in the book can you hear me? (2017). At first sight, the three pieces appear to be written in Semenič’s now-familiar writing style with no punctuation marks or upper ...
Gašper Troha
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De toute la terre le grand effarement de Guy Régis Junior ou quand le théâtre devient l’espace du deuil

Études Caribéennes, 2022
This article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011).
Axel Artheron
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Autor vs. Poeta, o de lo que los espectadores del Siglo de Oro no vieron ni escucharon: Amor con vista de Lope de Vega

Criticón, 2020
In this article I will focus my attention on a little known play by Lope de Vega, Amor con vista. First of all, I will analyze the autograph manuscript to observe the changes made by the playwright during the composition of his play, which reveal a great
Daniele Crivellari
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’Drammar’, uno strumento digitale per la didattica del teatro musicale

Musica Docta, 2021
This paper introduces a computer application aimed at teaching music drama. The application is based on Drammar, a formal model for drama theory developed at CIRMA in Turin University. On the basis of this model, a tool has been developed to annotate and
Giacomo Albert
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Martina Romanelli, “ 'Ancor che tristo ha suoi diletti il vero'. Una lettura di Zibaldone 2999", Firenze, Società editrice fiorentina, 2018, pp. 212

Lea, 2018
This review of “Ancor che tristo ha suoi diletti il vero”, an interpretation of Zibaldone 2999 (SEF, 2018) by Martina Romanelli focuses on an observation made on 21 July 1823 concerning late 16th century theatre.
Oleksandra Rekut-Liberatore
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?

Amfiteater, 2020
The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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Dramatic Representation of Trench Space as an ‘Experiential Ruin’ in R.C. Sherriff’s Journey’s End and Sean O’Casey’s The Silver Tassie

Revista Alicantina de Estudios Ingleses, 2018
Physical forms of ruin and psychological forms of ruination is an area within spatial theory that will enhance literary studies, especially literature of the First World War.
Patterson, Jonathan
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Theatrical Aesthetics and Transatlantic Representation in Robert Hunter’s Androboros

XVII-XVIII, 2017
This essay argues that New York governor Robert Hunter’s 1715 play Androboros relies on a theatrical aesthetics that transcends dramatic form. Even though the play was never performed, its dramatic narrative still focuses on the body-on-stage, and ...
Leopold Lippert
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Restoration and Representation of Yoruba Culture in the Lion and the Jewel: A Stylistic Study [PDF]

Journal of Mother-Tongue Biblical Hermeneutics and Theology
This study examines the stylistic restoration and representation of Yoruba culture in Wole Soyinka’s The Lion and the Jewel, focusing on how linguistic choices serve as vehicles for cultural preservation and dramatic expression. Through detailed analysis
Paul Nepapleh Nkamta, Dekera Gerald Atim   +1 more
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Gledališki eksperiment na Slovenskem (1966–1986) in njegovi odmevi v mladinski dramatiki – Andrej Rozman Roza

Amfiteater, 2023
V slovenski (mladinski) književnosti izstopajo trije avtorji, ki so se ukvarjali z dramatiko in/ali gledališčem: to so Svetlana Makarovič, diplomirana igralka (npr. Sapramiška), Milan Jesih (Štiri igre za otroke, priredbe Andersenovih pravljic Cesarjeva
Milena Mileva Blažić
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