Results 21 to 30 of about 690,851 (296)
“THE LIGHT OF THE NIGHT” IN THE FOOTLIGHTS: CERVANTES’ MOTIFS IN THE CONCEPT OF A MULTIMODAL DRAMA BY ANTONIO BUENO GARCIA [PDF]
Alfred Nobel University Journal of PhilologyThe review examines the nature, characteristics, and new configurations of the dramatic multimodal work of A. Bueno García “Cervantes in Algiers: Captive in Algiers, The Light of the Night”.
Anna A. Khodorenko
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On the Kolmogorov--Wiener--Masani spectrum of a multi-mode weakly stationary quantum process [PDF]
, 2016 We introduce the notion of a $k$-mode weakly stationary quantum process $\varrho$ based on the canonical Schr\"odinger pairs of position and momentum observables in copies of $L^2(\mathbb{R}^k)$, indexed by an additive abelian group $D$ of countable ...
Parthasarathy, K. R. +1 more
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The performativity of representation
Przestrzenie Teorii, 2018 Starting from a reference to René Magritte`s painting “The Images of Treachery”, the introductory article focuses on a performative understanding of representation.
Anna Krajewska
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Wild Theater: Staging the Margins of Ideology in the Spanish Comedia [PDF]
, 2018 The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long ...
Harrison Meadows
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Sofoklejeva Antigona na slovenskih poklicnih odrih
Amfiteater, 2022 Sofoklejeva Antigona ima bogato in edinstveno, več kot stoletno zgodovino uprizarjanja na slovenskih poklicnih odrih. Začela se je z neuspelo predstavo pod taktirko Hinka Nučiča na odru ljubljanske Drame leta 1912 in nadaljevala s priljubljeno ...
Matic Kocijančič
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End-to-end Incremental Learning [PDF]
, 2018 Although deep learning approaches have stood out in recent years due to their state-of-the-art results, they continue to suffer from (catastrophic forgetting), a dramatic decrease in overall performance when training with new classes added incrementally.
Alahari, Karteek +4 more
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Amfiteater, 2022 V pričujočem prispevku se bomo osredotočili na dramsko pisanje tako imenovane mlade generacije. Pri tem se bomo spraševali, kako bi to generacijo definirali glede na to, da so pisci med seboj precej individualizirani in razpršeni, njihovi teksti pa ...
Varja Hrvatin +2 more
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The 21st -Century Drama and the New Reality of Social Networks
Amfiteater, 2022 The article examines the impact of social networks on modern theatre by looking at the case of drama transformation. Discussed are the peculiarities of reportage plays versus traditional plays, emphasizing the various forms of so-called Facebook plays ...
Hanna Veselovska
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Amfiteater, 2022 Prispevek se osredotoča predvsem na recepcijo slovenske (sodobne) dramatike v Bolgariji. Natančneje, kako se besedila, ki spadajo v tuji jezikovni in sociokulturni kontekst, ne glede na to, kdaj so bila napisana, izkažejo za nova v ciljni kulturi in se ...
Ljudmil Dimitrov
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Dramska forma in etična razsežnost besedila gostija Simone Semenič
Amfiteater, 2022 V prispevku se bomo posvetili eni najaktivnejših in najuspešnejših ustvarjalk v sodobnem slovenskem gledališkem prostoru, dramatičarki Simoni Semenič, in enemu njenih teoretično in vsebinsko najzanimivejših besedil zgodba o nekem slastnem truplu ali ...
Lara Jerkovič
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