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Theatrical Aesthetics and Transatlantic Representation in Robert Hunter’s Androboros

XVII-XVIII, 2017
This essay argues that New York governor Robert Hunter’s 1715 play Androboros relies on a theatrical aesthetics that transcends dramatic form. Even though the play was never performed, its dramatic narrative still focuses on the body-on-stage, and ...
Leopold Lippert
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Researching Artivism through the Event Approach. Epistemological and Methodological Reflections about Art and Activism

Connessioni remote, 2021
The ERC ARTIVISM project focuses on various art forms used by activists in order to formulate political claims. From a multisensory perspective, creativity and performance as subversive forms of political expression are researched in super-diverse cities
Monika Salzbrunn
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Restoration and Representation of Yoruba Culture in the Lion and the Jewel: A Stylistic Study [PDF]

Journal of Mother-Tongue Biblical Hermeneutics and Theology
This study examines the stylistic restoration and representation of Yoruba culture in Wole Soyinka’s The Lion and the Jewel, focusing on how linguistic choices serve as vehicles for cultural preservation and dramatic expression. Through detailed analysis
Paul Nepapleh Nkamta, Dekera Gerald Atim   +1 more
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Santarcangelo, primi anni Novanta. Tracce di cyberpunk in teatro

Connessioni remote, 2021
Il contributo prende in esame tre percorsi che attraversano le edizioni del Festival di Santarcangelo fra anni Ottanta e Novanta poste dall'allora direttore Antonio Attisani sotto l'egida del Lavoro d'arte comune nell'intenzione di aprire la scena e la ...
Roberta Ferraresi
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Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney

Ilha do Desterro, 2010
The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that ...
Anna Stegh Camati
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Il teatro postdrammatico e i suoi ampi dintorni

Mimesis Journal, 2018
The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of
Alfio Petrini
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“THE LIGHT OF THE NIGHT” IN THE FOOTLIGHTS: CERVANTES’ MOTIFS IN THE CONCEPT OF A MULTIMODAL DRAMA BY ANTONIO BUENO GARCIA [PDF]

Alfred Nobel University Journal of Philology
The review examines the nature, characteristics, and new configurations of the dramatic multimodal work of A. Bueno García “Cervantes in Algiers: Captive in Algiers, The Light of the Night”.
Anna A. Khodorenko
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Between Postdramatic Text and Dramatic Drama: Recent German-Language Playwriting by Lukas Bärfuss and Katja Brunner

Humanities, 2020
Since 2000 there has been a boom in playwriting in the German-speaking world. This is shaped by a creative tension between two forms of theatre-texts. On the one hand the postdramatic text that exists in a theatre marked by a parataxis of all theatrical ...
Richard McClelland
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Dioniso a Milano: le atopie di Milo De Angelis

Studia Romanica Posnaniensia, 2014
The essay focuses on Milo De Angelis’s poetic work, underlying his representation of the city of Milan as a tragic and mythic place, crossed by threatening energies on the basis of which the author emphasizes his dramatic tension with reality.
Alessandro Baldacci
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The performativity of representation

Przestrzenie Teorii, 2018
Starting from a reference to René Magritte`s painting “The Images of Treachery”, the introductory article focuses on a performative understanding of representation.
Anna Krajewska
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