Results 1 to 10 of about 226,663 (138)

Su Adelaide Ristori

open access: yesDrammaturgia, 2023
This essay publishes the translation of Signe Hebbe’s letter to Wendela Hebbe, written on 20 February 1856, as well as his remarks on Adelaide Ristori, published in «Öresundsposten», 1st November 1879, pp. 4-5.
Signe Hebbe, Giovanni Za
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Signe Hebbe. Un’amicizia svedese di Adelaide Ristori

open access: yesDrammaturgia, 2023
Signe Hebbe (1837-1925) was one of the most prominent Swedish actresses and singers. Since her stays in Paris, in the mid-1960s, having a deep admiration for Adelaide Ristori, she became her friend and pupil.
Franco Perrelli
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Iconografia e interpretazioni: ‘Maria Stuarda’ di Adelaide Ristori

open access: yesDrammaturgia, 2022
The article examines some iconographic sources (two portraits, some photographs, a caricature) that can be traced back to Friedrich Schiller’s interpretation of Maria Stuarda, a famous pièce de resistance of Adelaide Ristori.
Francesca Simoncini
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Adelaide Ristori cantante

open access: yesDrammaturgia
For a long time, studies on Adelaide Ristori have been interested in her life, her success and her importance for the Italian theater. On the other hand, the musical interests of the noblewoman were less studied; however, music had a fundamental role in ...
Davide Mingozzi
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Celebrità e metateatro: ‘Adriana Lecouvreur’ per Adelaide Ristori

open access: yesDrammaturgia, 2023
In the first half of the 18th century, Adrienne Lecouvreur, diva of the Comédie-Française, brought about a profound change in the French recitative style.
Michela Zaccaria
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Adelaide Ristori. Ritratto dell’artista in commedia

open access: yesDrammaturgia
In retracing the genesis of her work in the Artistic Studies (1887), Adelaide Ristori dwells on the creative process of tragedy characters. But Adelaide Ristori was particularly admired by contemporary audiences and critics in her interpretations of ...
Paola Ranzini
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Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)

open access: yesDrammaturgia, 2022
Adelaide Ristori was among the first actresses to build an iconic image of herself, which spread internationally since her Parisian debut in 1855.
Cristina Tosetto
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Le ‘maestre’ di Adelaide Ristori: tracce di una trasmissione generazionale del mestiere

open access: yesDrammaturgia, 2023
This paper proposes a comparison between Adelaide Ristori and the actresses of the previous generation searching for traces of an unwritten transmission of the theatrical craft.
Giulia Bravi
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Studio per due attrici: Adelaide Ristori ed Eleonora Duse

open access: yesDrammaturgia, 2023
This essay investigates the relationship between two outstanding actresses, Adelaide Ristori and Eleonora Duse. They are the reference points for two opposing generations, and very different models in terms of art, repertoire choices, leadership.
Mirella Schino
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«Il più efficace cooperatore dei negozi diplomatici»? Adelaide Ristori e il conte Cavour

open access: yesDrammaturgia, 2023
In April 1861, just one month after the proclamation of the Unification of Italy, Prime Minister Cavour defined Adelaide Ristori «the most effective co-operator of diplomatic negotiations», praising her work at the court of the Czar in the winter of 1860.
Matteo Paoletti
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