Results 11 to 20 of about 226,663 (138)
Due regine per un’attrice: Maria Stuarda e Elisabetta I nell’interpretazione di Adelaide Ristori [PDF]
Two queens for an actress: Mary Stuart and Elizabethi played by Adelaide ...
Francesca Simoncini
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Sull’utilità della Storia delle donne per rileggere il protagonismo di Adelaide Ristori
I propose to rethink Adelaide Ristori in a hitherto unconsidered context: a History of the actor that places the category of gender at the centre, not as an add-on but as a problematic function, in order to investigate the specificity – if it exists and ...
Laura Mariani
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«Une grande danseuse»: corpo e movimento nella ‘Medea’ di Adelaide Ristori
Commenting on Adelaide Ristori’s interpretation of Medea in 1858, Théophile Gautier drew a comparison with the Austrian dancer Fanny Elssler. According to Gautier, Ristori as Medea revealed her talent as a dancer, which could flourish to the fullest ...
Giulia Taddeo
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This essay examines the presence of Alighieri’s poetry in the repertory and the self-promotion of Adelaide Ristori. During her career the exceptional tragic performer showed a clear interest in recitals where she used to combine excerpts from famous ...
Andrea Simone
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Il fondo Adelaide Ristori al Museo Biblioteca dell’Attore di Genova
The Adelaide Ristori Archive has been kept at the Museo Biblioteca dell’Attore in Genoa since 1967, after the donation of Irma Castren Capranica del Grillo.
Donatella Mezzani
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Per una filologia del copione: Adelaide Ristori e ‘Lady Macbeth’
Adelaide Ristori’s Macbeth is an interesting object for a study in the field of theatrical philology. In Ristori’s Archive at Museo Biblioteca dell’Attore in Genoa there are in fact many unpublished and little-valued materials which can be profitably ...
Emanuela Chichiriccò
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Adelaide Ristori ed Ernest Legouvé. La via francese alla carriera internazionale
This essay aims to focus on the professional relationship between Adelaide Ristori and Ernest Legouvé as an example of the collaboration between an actress and a playwright within a prestigious international context.
Mariagabriella Cambiaghi
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‘Essere, o non essere’ in scena. Sull’orma creativa di Adelaide Ristori
From an original perspective, this essay delves into the significance of Adelaide Ristori’s entrances and exits from the stage, the value that the Grande Attrice used to attribute to such crucial scenic moments and her expectations of national and ...
Teresa Megale
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Il costume fuori scena: testimonianze e documenti del progetto creativo di Adelaide Ristori
This essay investigates a unique actress’s wardrobe in the history of 19th century theatrical costume: Adelaide Ristori’s costumes exemplify the case of a leading actress who has trod the stages of major theaters worldwide.
Bruna Niccoli
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