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Connessioni remote, 2021 The ERC ARTIVISM project focuses on various art forms used by activists in order to formulate political claims. From a multisensory perspective, creativity and performance as subversive forms of political expression are researched in super-diverse cities
Monika Salzbrunn
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Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
Ilha do Desterro, 2010 The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that ...
Anna Stegh Camati
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Santarcangelo, primi anni Novanta. Tracce di cyberpunk in teatro
Connessioni remote, 2021 Il contributo prende in esame tre percorsi che attraversano le edizioni del Festival di Santarcangelo fra anni Ottanta e Novanta poste dall'allora direttore Antonio Attisani sotto l'egida del Lavoro d'arte comune nell'intenzione di aprire la scena e la ...
Roberta Ferraresi
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Il teatro postdrammatico e i suoi ampi dintorni
Mimesis Journal, 2018 The post-dramatic by Hans-Thies Lehmann is available in the Italian bookstores thanks to Cue Press Editors (Bologna 2017) that published it along with the translation written by Sonia Antinori and the afterword by Gerardo Guccini. In a brief anthology of
Alfio Petrini
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“THE LIGHT OF THE NIGHT” IN THE FOOTLIGHTS: CERVANTES’ MOTIFS IN THE CONCEPT OF A MULTIMODAL DRAMA BY ANTONIO BUENO GARCIA [PDF]
Alfred Nobel University Journal of PhilologyThe review examines the nature, characteristics, and new configurations of the dramatic multimodal work of A. Bueno García “Cervantes in Algiers: Captive in Algiers, The Light of the Night”.
Anna A. Khodorenko
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Dioniso a Milano: le atopie di Milo De Angelis
Studia Romanica Posnaniensia, 2014 The essay focuses on Milo De Angelis’s poetic work, underlying his representation of the city of Milan as a tragic and mythic place, crossed by threatening energies on the basis of which the author emphasizes his dramatic tension with reality.
Alessandro Baldacci
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Humanities, 2020 Since 2000 there has been a boom in playwriting in the German-speaking world. This is shaped by a creative tension between two forms of theatre-texts. On the one hand the postdramatic text that exists in a theatre marked by a parataxis of all theatrical ...
Richard McClelland
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The performativity of representation
Przestrzenie Teorii, 2018 Starting from a reference to René Magritte`s painting “The Images of Treachery”, the introductory article focuses on a performative understanding of representation.
Anna Krajewska
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«Il più efficace cooperatore dei negozi diplomatici»? Adelaide Ristori e il conte Cavour
Drammaturgia, 2023 In April 1861, just one month after the proclamation of the Unification of Italy, Prime Minister Cavour defined Adelaide Ristori «the most effective co-operator of diplomatic negotiations», praising her work at the court of the Czar in the winter of 1860.
Matteo Paoletti
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Drammaturgia, 2023 After composing Adrienne Lecouvreur, a drama co-written with Eugène Scribe and starring Rachel, Ernest Legouvé wrote a Médée for her. But the great actress, although she had already agreed to play the part of the protagonist, decided to give it up.
Francesco Puccio
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