Results 1 to 10 of about 111,387 (297)
Revista Alicantina de Estudios Ingleses, 2018 Physical forms of ruin and psychological forms of ruination is an area within spatial theory that will enhance literary studies, especially literature of the First World War.
Patterson, Jonathan
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can you hear me? by Simona Semenič and the question of no-longer-dramatic writing [PDF]
Amfiteater, 2021 In the article, the author analyses three plays by Simona Semenič that were published in the book can you hear me? (2017). At first sight, the three pieces appear to be written in Semenič’s now-familiar writing style with no punctuation marks or upper ...
Gašper Troha
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Theatrical Aesthetics and Transatlantic Representation in Robert Hunter’s Androboros
XVII-XVIII, 2017 This essay argues that New York governor Robert Hunter’s 1715 play Androboros relies on a theatrical aesthetics that transcends dramatic form. Even though the play was never performed, its dramatic narrative still focuses on the body-on-stage, and ...
Leopold Lippert
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The Aesthetics of Representation: Dramatic Texts and Dramatic Engagement [PDF]
Journal of Aesthetic Education, 2005 There are several ways in which aesthetic discourses might be positioned in the field of drama education. While some might locate "aesthetics" in the cognitive or interpretive realm of learning, and others the affective or philosophical realm, I have chosen to speak of the discourses of aesthetics as they relate to both cognitive and embodied responses
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Out of Anthropology: The Anthropologist as an Object of Dramatic Representation
Cultural Anthropology, 1992 In September 1988, the Danish theater group, Odin Teatret, showed Talabot for the first time.' Talabot is a play about the last 40 years of world history told through the biography of a woman anthropologist born in 1948. She is Danish, with an international professional training, fieldwork experience in India and, especially, Iceland, and a relatively ...
Kirsten Hastrup
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Études Caribéennes, 2022 This article examines the representation of the theme of the earthquake in the theatrical work of the Haitian playwright Guy Régis Junior entitled De toute la terre le grand effarement (2011).
Axel Artheron
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Criticón, 2020 In this article I will focus my attention on a little known play by Lope de Vega, Amor con vista. First of all, I will analyze the autograph manuscript to observe the changes made by the playwright during the composition of his play, which reveal a great
Daniele Crivellari
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Lea, 2018 This review of “Ancor che tristo ha suoi diletti il vero”, an interpretation of Zibaldone 2999 (SEF, 2018) by Martina Romanelli focuses on an observation made on 21 July 1823 concerning late 16th century theatre.
Oleksandra Rekut-Liberatore
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?
Amfiteater, 2020 The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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’Drammar’, uno strumento digitale per la didattica del teatro musicale
Musica Docta, 2021 This paper introduces a computer application aimed at teaching music drama. The application is based on Drammar, a formal model for drama theory developed at CIRMA in Turin University. On the basis of this model, a tool has been developed to annotate and
Giacomo Albert
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