Results 121 to 130 of about 111,387 (297)

Subject and representation in Jean Genet's theatre

open access: yes, 2022
Tiyatronun uzun soluklu serüveninde, tiyatro teorisi ve dramatik yazın birikiminden yola çıkarak, alımlayıcının tiyatral deneyimini belirleyen temel ögelerin özne kurgusu ve temsil algısı olduğu söylenebilir.
Erdem, Gülşah
core  

Mutant NPM1 in Acute Myeloid Leukemia Initiation and Maintenance

open access: yesAging and Cancer, EarlyView.
NPM1 mutations drive acute myeloid leukemia by acting as neomorphic transcriptional regulators that cooperate with Menin–MLL and XPO1 to sustain HOX/MEIS1 expression and block differentiation. Targeting these mutant‐specific transcriptional dependencies provides a rational therapeutic strategy for NPM1‐mutated AML.
Yanan Jiang   +3 more
wiley   +1 more source

Avantgardne sledi v scenografijah Vasilija Uljaniščeva na Slovenskem v letih 1930–1934

open access: yesAmfiteater
Razprava bo zajela zadnja štiri leta delovanja scenografa Vasilija Mitrofanoviča Uljaniščeva (1887–1934). Leta 1930 se je Uljaniščev namreč zaposlil v Narodnem gledališču v Ljubljani in na dramskem ter opernem odru deloval vse do smrti.
Ana Kocjančič
doaj   +1 more source

Long‐Term Follow‐Up of Chemotherapy‐Associated Biological Aging in Women With Early Breast Cancer

open access: yesAging and Cancer, EarlyView.
Women threated with adjuvant chemotherapy for early breast cancer have sustained long‐term increase in p16INK4a,, a robust marker of cell senescence, suggesting a chemotherapy‐associated age acceleration. p16INK4a as well as other biomarkers may identify patients at greatest risk for senescence‐related diseases of aging.
Hyman B. Muss   +12 more
wiley   +1 more source

Kritične uprizoritvene prakse od neoavantgarde in postavantgarde do političnega postpostdramskega gledališča 21. stoletja

open access: yesAmfiteater
Razprava analizira štiri ključne cikle revolucioniranja razmerja med mainstreamom in eksperimentalnim gledališčem v Sloveniji in bivši Jugoslaviji: neoavantgardo in neomodernizem sedemdesetih, politično gledališče osemdesetih, post- in retroavantgarde ...
Tomaž Toporišič
doaj   +1 more source

Linear representations in language models can change dramatically over a conversation

open access: yesCoRR
Language model representations often contain linear directions that correspond to high-level concepts. Here, we study the dynamics of these representations: how representations evolve along these dimensions within the context of (simulated) conversations.
Andrew Kyle Lampinen   +4 more
openaire   +2 more sources

Women's bodies in dramatic confrontations with patriarchal logic : the representation of violence against the female body in contemporary drama by women

open access: yes, 2003
In this study, I examine the dramatization of violence against the female body in contemporary drama by women and the purpose behind their representational approaches.
Ahmad, Ebtehal A.
core  

Risk Prediction Models for Recurrence After Curative Treatment of Early‐Stage or Locally Advanced Lung Cancer: A Systematic Review

open access: yesAging and Cancer, EarlyView.
This systematic review synthesizes prognostic models for survival and recurrence in resected non‐small cell lung cancer. While many models demonstrate moderate to good discrimination, few are externally validated and reporting quality is variable, limiting clinical applicability and highlighting the need for robust, transparent model development ...
Evangeline Samuel   +4 more
wiley   +1 more source

Peter Božič in vprašanje avtentične gledališke avantgarde v Sloveniji v drugi polovici 20. stoletja

open access: yesAmfiteater
Peter Božič je bil slovenski dramatik, čigar najpomembnejše igre so nastale na začetku njegove kariere, med letoma 1955 in 1961. To pisanje je močno povezano z Odrom 57, ki je predstavljal opozicijo takrat prevladujočemu slogu socialističnega realizma v
Gašper Troha
doaj   +1 more source

Gay gardens: Visual anachronisms and the subversive politics of lesbian representation

open access: yes, 2020
This paper is a direct transcription of the performed presentation which was delivered at the conference for the FORMAT19 International Photography Festival, for which I acted as co-organiser and co-editor.
Marmalade, Gemma
core  

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