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Aesthetics in Theatre: The Challenge of Effect Under the Skin
The tremendous socio-political transformations that took place in the 19th century contributed to the change of criterion for theatre dramaturgy during the following century. The essence of the history of theatre, as “liminal space”, based on traditional
Guilherme Filipe
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THE PRINCIPLE OF HOLISM AND THE METHOD OF TRADUCTION IN THE COMPREHENSION OF MUSICAL AND CHOREOGRAPHIC DRAMATURGY [PDF]
Musical and choreographic dramaturgy is an organized complex system, in the study of which one should rely on the principle of holism. In an effort to develop adequate methods for a comprehensive artistic and analytical understanding of the phenomenon ...
SAMBRIS, ELENA
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Kota Kata Kita #3: Interpret the City Through the Perspective of the Performing Arts
This study discusses the Dramaturgy lecture process using a direct acting practice approach in a theater performance project where the city is positioned as object material, then interpreted and articulated by students through the process of creating ...
Dedi - Warsana +3 more
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“TEORI DIRI” SEBUAH TAFSIR MAKNA SIMBOLIK (PENDEKATAN TEORI DRAMATURGI ERVING GOFFMAN)
When humans interact each other, he wanted to manage the impression that he hopes will grow on other people to it. Goffman's dramaturgy approach views that every person doing the show for others. Dramaturgy theory approach also attempts to connect action
Musta’in Musta’in
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Dramaturgies marionnettiques [PDF]
Depuis le tournant du XXe siècle, la marionnette n’est plus seulement un instrument théâtral spécifique, mais un modèle ou un idéal esthétique, un régime d’énonciation et de représentation alternatif qui, de façon explicite ou latente, continue d’inspirer les auteurs quelle que soit la nature des interprètes auxquels ils destinent officiellement leurs ...
openaire +2 more sources
Is theatre a visual art? We can consider such a question from a double point of view. From a practical perspective the answer seems to be posi-tive, however in theoretical terms the question is more complicated.
Lorenzo Mango
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THE FORCES OF THE FIGURAL OR SOME CATEGORIES OF ANALYSIS FOR MODERN AND CONTEMPORARY PLAYWRIGHTS
The dramatic character, as forged by the Aristotelian-Hegelian tradition, got through a decomposition-recomposition process throughout the 20th century, achieving new basis and nomenclature.
Nayara Macedo Barbosa de Brito
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The integrality of musical-didactical activities at the lesson as a systematical aproach of the musical education process is the problem that we search for. In this way, dramaturgy at the lesson is searched as one of the principles of this integrity. The
Caliga Marina
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Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals
This paper examines the contribution of the toy piano to the dramaturgy of piano recitals. As a starting point for the study, the concept of artform recital is introduced, as the understanding that all elements come together with the music programme to ...
Késia Decoté Rodrigues
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Οι Κοκκινοσκουφίτσες των Pommerat, Grumberg, Akapko και Galea: Τέσσερις ηρωίδες που έζησαν καλύτερα
The adaptations of Pommerat, Grumberg, Akapko and Galea capitalize on contemporary dramaturgical trends and renew the narrative of the precarious and fragile woman, positively reinterpreting the exit from the family/familiar towards the danger of life ...
Panagiota Kalogeropoulou
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