Results 41 to 50 of about 16,742 (178)
Enacting Law: The Dramaturgy of the Courtroom on the Contemporary Stage [PDF]
Although historical research into twentieth-century theatrical tribunals is widespread, the recurring theme of justice in contemporary performance practices remains largely unexplored.
Nellis, Steff, Steff Nellis
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In the distorting mirror. West-European dramaturgy in the Russian comedy of beginning of the 20th century. Motives and genres The present article constitutes the attempt of analysis of chosen examples of the Russian comedy of beginning of the 20th ...
Jadwiga Gracla
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Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments [PDF]
Two lesser-known fragments written by Heiner Müller in 1979 and 1990 openly refer to Brecht and offer perspectives on the problematic relationship between the two playwrights.
Barnett, David +2 more
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Le chant novarinien en voix-poème : vers la justesse de l’oralité
Many of the theatre performances written and directed by playwright Valère Novarina feature songs performed by actors who are not singers. It is not a question for these actors of “singing well” nor of “singing in tune” but of “just singing” and thus ...
Alexandra Gaudechaux
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Translating Hungarian Drama for the British and the American Stage
Reflecting on my experience of translating contemporary Hungarian theater into English, this paper examines the fluidity of dramatic texts in their original and in translation, and charts collaborations between playwrights, translators and theater-makers.
Jozefina Komporaly
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Student Social Conflict Dramaturgy at Universitas Muhammadiyah Makassar
This research aims to analyze and describe the occurrence of student conflict dramaturgy at Muhammadiyah University Makassar, to analyze and synthesize the mechanism of the student conflict dramaturgy process at Muhammadiyah University Makassar, and to ...
Syahban Nur +2 more
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Instiutional Dramaturgy as Imaginative Practice
The opening up of institutions, participation and diversity are keywords that have shaped cultural funding in German-speaking Europe at least since the international #Me Too and Black Lives Matter protests.
Portmann, Alexandra
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Maxim Gorky as an Epigon of A. P. Chekhov and the “Theatre of Mood” (Vsevolod Meyerhold) [PDF]
The article is dedicated to the analysis of Vsevolod Meyerhold’s ideas, formulated in his study “Russian Playwrights” (1911). The central focus of this article is Meyerhold’s assertion that the dramaturgy of A. P. Chekhov and M.
Svetlana M. Demkina
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Abstract To some students, it is obvious that the libretto is the main structure of an opera and music illustrates it. Addressing this intuitive principle, unfounded and easily shown to be false, Carl Dahlhaus opposed the idea that music is at the origin of the drama in opera.
openaire +2 more sources
ecent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition.
Radosavljevic, Duska
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