Results 51 to 60 of about 16,742 (178)
“TEORI DIRI†SEBUAH TAFSIR MAKNA SIMBOLIK (PENDEKATAN TEORI DRAMATURGI ERVING GOFFMAN)
When humans interact each other, he wanted to manage the impression that he hopes will grow on other people to it. Goffman's dramaturgy approach views that every person doing the show for others. Dramaturgy theory approach also attempts to connect action
Musta’in Musta’in
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Understanding dramaturgic theory as the key to choosing an ideal leader
The concept of dramaturgy focuses on social life as a dramatic performance with the strategy of creating an appealing image for the public. The purpose of this research is to examine the roles and challenges of using dramaturgy in selecting an ideal ...
Sabaruddin Sabaruddin +4 more
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Желновач А. Милитаризм как специфическая художественная координата пьесы «Разгром» И. Багряного. Цель исследования заключается в попытке рассмотреть милитаризм не только как постулатную государственную идеологию, но и очертить этот термин как ...
Аліна ЖЕЛНОВАЧ
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The present work has the purpose of thinking about the term dramaturgy which is commonly associated to the written text (and, therefore to literature), from a scene view.
María Verónica Manzone
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Dramaturgy of form performing verse in contemporary theatre
Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context.
Lech, K.
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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008.
Gabriela Coca
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Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition.
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This article argues that historically production dramaturgy and mise en scène developed hand in hand and are therefore inseparable. By investigating the staging of three classics,Fatherlessness / Platonov at the Örkény Theatre, Budapest, a devised ...
Katalin Trencsényi
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The Theatre of Debt at the Turn of the Eighteenth and Nineteenth Centuries
This article focuses on the significance of debt in a certain number of plays performed at the turn of the eighteenth and nineteenth centuries. Based on the observation that practical rationalities inscribe theatre in the economic and social life, the ...
Guillaume Cot
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CONCERTO FOR ORCHESTRA No.2 BY GHEORGHE MUSTEA — REMARKABLE MODEL OF MUSICAL NEOFOLKLORISM [PDF]
In the article there is an analysis of the Concerto for Orchestra No.2 as regards the musical neofolklorist stylistics which manifested itself widely in its content (the picturesque tableau (image) of a rustic holiday), the description of the fiddlers ...
MIRONENCO ELENA
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