Results 71 to 80 of about 821 (227)
Annals of Anthropological Practice, EarlyView.ABSTRACT Given generative AI's rapid incursion into higher education, we examined how AI tools are marketed to US college students and how students experience AI promotions. Using a scalable action research model, we collected and analyzed 131 social media ads, 48 student interviews, and field notes compiled by three interns at student‐facing AI ...
Elisa J. Sobo +3 more
wiley +1 more source
CULTURAL FUSION IN LATE BRONZE AGE GOLDWORK: DIADEMS AND MOUTH‐PIECES FROM HALA SULTAN TEKKE, CYPRUS
Oxford Journal of Archaeology, EarlyView.Summary This study investigates recently discovered gold diadems and mouth‐pieces from seven chamber tombs and one shaft tomb at the Late Bronze Age cemetery of Hala Sultan Tekke, dating from the fifteenth to the thirteenth centuries BC. The chamber tombs, all containing multi‐generational burials, yielded a variety of ornaments, which are analysed in ...
Peter M. Fischer
wiley +1 more source
Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Orbis Litterarum, EarlyView.Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley +1 more source
The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆
Renaissance Studies, EarlyView.Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt +2 more
wiley +1 more source
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Renaissance Studies, EarlyView.Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley +1 more source
The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, EarlyView.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley +1 more source
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley +1 more source
Renaissance Studies, EarlyView.ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley +1 more source