Results 161 to 170 of about 7,519 (211)
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October, 1979
At a very early age Marcel Duchamp became interested in chess. It was, he told his biographer Arturo Schwarz, his two brothers-Jacques Villon and Duchamp-Villon--to whom he owed this initiation at age thirteen, the same moment as his introduction to painting.
Hubert Damisch, Rosalind Krauss
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At a very early age Marcel Duchamp became interested in chess. It was, he told his biographer Arturo Schwarz, his two brothers-Jacques Villon and Duchamp-Villon--to whom he owed this initiation at age thirteen, the same moment as his introduction to painting.
Hubert Damisch, Rosalind Krauss
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2019
Le cas de Suzanne Duchamp et de sa contribution au mouvement dada parisien permet d’éclairer, dans le cadre des avant-gardes de la première moitié du XXe siècle, à la fois le processus d’occultation historiographique d’une femme artiste, active et reconnue dans le mouvement dada, et son apport spécifique à la pensée et aux pratiques de cette avant ...
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Le cas de Suzanne Duchamp et de sa contribution au mouvement dada parisien permet d’éclairer, dans le cadre des avant-gardes de la première moitié du XXe siècle, à la fois le processus d’occultation historiographique d’une femme artiste, active et reconnue dans le mouvement dada, et son apport spécifique à la pensée et aux pratiques de cette avant ...
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Critical Inquiry, 1981
In "Duchamp's Mischief" (Critical Inquiry 7 [Summer 1981]: 747-60), Joel Rudinow tried to understand, if not exactly the achievement of Marcel Duchamp, then anyway his significance in modern art and philosophy. His remarks may cause us to reconsider our views about the artworld and Duchamp's role in it.
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In "Duchamp's Mischief" (Critical Inquiry 7 [Summer 1981]: 747-60), Joel Rudinow tried to understand, if not exactly the achievement of Marcel Duchamp, then anyway his significance in modern art and philosophy. His remarks may cause us to reconsider our views about the artworld and Duchamp's role in it.
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Critical Inquiry, 1981
From philosophers bred to expect a certain stylistic austerity, I beg indulgence for what may strike them as an intolerable wildness in the following paper. . .. But in a way the paper is part of its own subject, since it becomes an artwork at the end. Perhaps the final creation in the period it treats of.
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From philosophers bred to expect a certain stylistic austerity, I beg indulgence for what may strike them as an intolerable wildness in the following paper. . .. But in a way the paper is part of its own subject, since it becomes an artwork at the end. Perhaps the final creation in the period it treats of.
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The Brothers Duchamp: Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp
Leonardo, 1978John F. Moffltt +4 more
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2008
Il libro già pubblicato da Laterza nella collana "Maestri del Novecento Laterza" nel 2008, costituisce una nuova e prima edizione nella collana "Biblioteca Universale", con un differente codice ISBN. L'autrice muovendosi tra i temi duchampiani più noti – il possibile, l'oggetto, l'arte come atto mentale, l'erotismo, l'ironia, il caso – ripercorre un ...
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Il libro già pubblicato da Laterza nella collana "Maestri del Novecento Laterza" nel 2008, costituisce una nuova e prima edizione nella collana "Biblioteca Universale", con un differente codice ISBN. L'autrice muovendosi tra i temi duchampiani più noti – il possibile, l'oggetto, l'arte come atto mentale, l'erotismo, l'ironia, il caso – ripercorre un ...
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1999
Un saggio che attraversa l'opera di Marcel Duchamp e i suoi rapporti con il surrealismo.
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Un saggio che attraversa l'opera di Marcel Duchamp e i suoi rapporti con il surrealismo.
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