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Black coffee. Marcel Duchamp’s pataphysical sensism
Relief: Revue Électronique de Littérature Francaise, 2016 Duchamp’s readymade is usually interpreted as a bold and cerebral emancipation of modern art from the material, the craft and natural beauty, and the discovery of the continent of conceptual art.
Dirk van Weelden
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"Challenge and Defy" Exhibit at the Sidney Janis Gallery, September 25-October 21, 1950
, 1917 Inscribed, lower left rim: "R.MUTT / 1917" This second version of Fountain appeared when Duchamp agreed to participate in an exhibition entitled "Challenge and Defy" which Sidney Janis was organizing for fall 1950...Duchamp looked for a suitable ...
Duchamp, Marcel
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Le Célibat broie son chocolat lui-même
, 1913 ink on paper signed lower right: Marcel Duchamp / 1913full ...
Duchamp, Marcel
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Marcel Duchamp, Constantin Brancusi, Victor Brauner : leurs rencontres et les retombées sur leurs œuvres [PDF]
Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts, 2013 Duchamp avait rencontré Brancusi en 1912, année qui marque le début d’une amitié consignée par l’histoire de l’art. Son parcours avait été fixé dans les pages de leur correspondance, conservées au Centre Georges Pompidou.
Cristian-Robert Velescu
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The Case of Marcel Duchamp - ACE145.6
Rouen, 1913. Etching of machine for making chocolate, drawing by Leonardo da Vinci for machine for raising water. Part of first version of Duchamp’s Chocolate Grinder (1917). Plan. Etchings of perspective views.
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The Case of Marcel Duchamp - ACE145.9
Duchamp’s voice "I don’t care if I am or not…" Toby produces more word games. Duchamp talks about using ready-made artefacts: bicycle wheel, bottle dryer, chemist’s vial, the urinal, etc., thus denying the possibility of defining art.
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, 1919 rectified readymade: reproduction of Leonardo da Vinci's Mona Lisa to which Duchamp added mustache, goatee, and title in pencil.full ...
Duchamp, Marcel
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