Results 11 to 20 of about 390,000 (173)
Dynamical systems theory for music dynamics [PDF]
We show that, when music pieces are cast in the form of time series of pitch variations, the concepts and tools of dynamical systems theory can be applied to the analysis of {\it temporal dynamics} in music. (i) Phase space portraits are constructed from the time series wherefrom the dimensionality is evaluated as a measure of the {\pit global ...
Boon, Jean-Pierre, Decroly, O.
arxiv +6 more sources
The dynamics of musical participation [PDF]
In this paper we argue that our comprehension of musical participation—the complex network of interactive dynamics involved in collaborative musical experience—can benefit from an analysis inspired by the existing frameworks of dynamical systems theory and coordination dynamics.
Andrea Schiavio+2 more
openaire +4 more sources
Video2Music: Suitable Music Generation from Videos using an Affective Multimodal Transformer model [PDF]
Numerous studies in the field of music generation have demonstrated impressive performance, yet virtually no models are able to directly generate music to match accompanying videos. In this work, we develop a generative music AI framework, Video2Music, that can match a provided video. We first curated a unique collection of music videos.
arxiv +1 more source
Fulfilling and desperately needed: Australian media representations of responses to homelessness
Abstract Homelessness is a significant social issue that continues to confront Australian society, despite burgeoning public and policy responses to the issue. Existing scholarship demonstrates the important role the media can play in shaping such responses by framing homelessness – and the people who experience it – in particular ways.
Laura Simpson Reeves+3 more
wiley +1 more source
An Interdisciplinary Review of Music Performance Analysis [PDF]
A musical performance renders an acoustic realization of a musical score or other representation of a composition. Different performances of the same composition may vary in terms of performance parameters such as timing or dynamics, and these variations may have a major impact on how a listener perceives the music.
arxiv +1 more source
Dynamics of musical expression [PDF]
Various aspects of the dynamics of musical expression in terms of both acoustic and perceptual parameters were studied. In one study, duets of soprano orchestral winds performed brief musical passages in unison and in simple diatonic harmony. Perceptual spaces, obtained by scaling, were compared with acoustical analyses.
Edward C. Carterette, Roger A. Kendall
openaire +2 more sources
Abstract This research aimed to examine the factors affecting the participation of female rural–urban migrants in online marketplaces, and the welfare gains and their distribution. Our analysis was based on a unique dataset of rural households, villages, and rural–urban migrants in Thailand and Vietnam.
Trung Thanh Nguyen, Manh Hung Do
wiley +1 more source
Dynamic processes in music perception [PDF]
A schema-based theory of music perception that describes the dynamic interaction between the musical event and the listener’s knowledge of the underlying regularities in tonal music is proposed. Three properties of musical schema are evaluated in a recognition memory experiment: (1) The schema engages a subset of the abstract knowledge system that is ...
Carol L. Krumhansl, Mary A. Castellano
openaire +3 more sources
Dynamic musical communication of core affect [PDF]
Is there something special about the way music communicates feelings? Theorists since Meyer (1956) have attempted to explain how music could stimulate varied and subtle affective experiences by violating learned expectancies, or by mimicking other forms of social interaction.
Nicole K. Flaig, Edward W. Large
openaire +4 more sources
Associations between music training and the dynamics of writing music by hand [PDF]
Learning to write music in the staff notation used in Western classical music is part of a musician’s training. However, writing music by hand is rarely taught formally, and many musicians are not aware of the characteristics of their musical handwriting.
Mathieu Giraud+4 more
openaire +4 more sources