Results 11 to 20 of about 4,508,774 (293)

The impact of music downloads and P2P file-sharing on the purchase of music in Canada [PDF]

open access: yes, 2008
This study measures the extent to which free music downloads, including the use of P2P file sharing networks, act as substitutes or complements to music purchase in markets for CDs and electronic delivered music (such as MP3).
Frenz, Marion, Andersen, Birgitte
core   +8 more sources

The dynamics of musical participation [PDF]

open access: yesMusicae Scientiae, 2021
In this paper we argue that our comprehension of musical participation—the complex network of interactive dynamics involved in collaborative musical experience—can benefit from an analysis inspired by the existing frameworks of dynamical systems theory and coordination dynamics.
Andrea Schiavio   +2 more
openaire   +3 more sources

Dynamic processes in music perception [PDF]

open access: yesMemory & Cognition, 1983
A schema-based theory of music perception that describes the dynamic interaction between the musical event and the listener’s knowledge of the underlying regularities in tonal music is proposed. Three properties of musical schema are evaluated in a recognition memory experiment: (1) The schema engages a subset of the abstract knowledge system that is ...
C L, Krumhansl, M A, Castellano
openaire   +2 more sources

Conceptualising quality early childhood education: Learning from young children in Brazil and South Africa through creative and play‐based methods

open access: yesBritish Educational Research Journal, EarlyView., 2023
Abstract Early childhood has increasingly been acknowledged as a vital time for all children. Inclusive and quality education is part of the United Nations Sustainable Development Goals, with the further specification that all children have access to quality pre‐primary education.
Laura H. V. Wright   +8 more
wiley   +1 more source

Applications of system dynamics modelling to computer music [PDF]

open access: yes, 2000
Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling and simulation tools can be used as a scoring device to map the structural dynamic shape of interest of computer music compositions.
IAN WHALLEY, Whalley, Ian
core   +1 more source

Seeing the song: left auditory structures may track auditory-visual dynamic alignment. [PDF]

open access: yesPLoS ONE, 2013
Auditory and visual signals generated by a single source tend to be temporally correlated, such as the synchronous sounds of footsteps and the limb movements of a walker.
Julia A Mossbridge   +2 more
doaj   +1 more source

Music streaming and its consequences within the dynamics of power, consumption and creation

open access: yesRevista Teknokultura, 2021
Streaming has dominated the consumption of music and audiovisual media over the last five years. 80% of music in Mexico is now consumed through streaming (Gutiérrez, 2019) YouTube, Netflix and Spotify present an unquestionable hegemony in the Western ...
Ulises Hadjis Labarca
doaj   +1 more source

A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection [PDF]

open access: yes, 2001
Dealing predominantly with ‘art music’ aspects of electroacoustic music practice, this paper looks at cultural, aesthetic, environmental and technical influences on current and emerging practices from the upper half of the North Island of New Zealand. It
Dart, William   +2 more
core   +1 more source

A Dynamic Representation Solution for Machine Learning-Aided Performance Technology

open access: yesFrontiers in Artificial Intelligence, 2020
This paper illuminates some root causes of confusion about dynamic representation in music technology and introduces a system that addresses this problem to provide context-dependent dynamics for machine learning-aided performance.
Jason Palamara, W. Scott Deal
doaj   +1 more source

Software agents in music and sound art research/creative work: Current state and a possible direction [PDF]

open access: yes, 2009
Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various ...
Whalley, Ian
core   +1 more source

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