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The functional dynamics of music
Music and Letters, 1948THE approach to the study of the nature of music must start with its origins. But Scores of philosophers, economists and scientists have in the last two hundred years attempted to get to the truth, and yet have not been able to present as much as one acceptable theory, indeed, one uncontested fact. . . . Music . . .
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Music Perception, 2014
Musicians anticipate and monitor the expressive effects of their actions during performance. Previous research suggests that the ability to imagine desired outcomes can partially compensate when auditory feedback is absent, permitting continued performance even though information about whether these outcomes are realized is unavailable.
Laura Bishop +2 more
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Musicians anticipate and monitor the expressive effects of their actions during performance. Previous research suggests that the ability to imagine desired outcomes can partially compensate when auditory feedback is absent, permitting continued performance even though information about whether these outcomes are realized is unavailable.
Laura Bishop +2 more
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Dynamical Music with Musical Boolean Networks
2018An extended Boolean network model is investigated as a possible medium in which a human composer can write music. A Boolean network is a simple discrete-time dynamical system whose state is characterised by the states of its constituent Boolean-valued vertices.
George Gabriel, Susan Stepney
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2022
Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Open Scriptures: Notation in Contemporary Artistic Practices in Europe and the Americas, p ...
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Exploration of Artificial Intelligence in Creative Fields: Generative Art, Music, and Design
International Journal of Cyber and IT Service ManagementThis article provides a thorough examination of the latest advancements in artificial intelligence (AI) as applied to the creative sectors, specifically focusing on generative art, music composition, and design.
Vina El Ardeliya +2 more
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Isolating the dynamic attributes of musical timbrea)
The Journal of the Acoustical Society of America, 1993Three experiments examined the dynamic attributes of timbre by evaluating the role of onsets in similarity judgments. In separate experiments, subjects heard complete orchestral instrument tones, the onsets of those tones, and tones with the onsets removed (‘‘remainders’’).
P, Iverson, C L, Krumhansl
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Incorporating Time Dynamics and Implicit Feedback into Music Recommender Systems
International Conference on Wirtschaftsinformatik, 2018Recommender systems have been applied to several domains (e.g., online streaming, e-commerce, etc.) to assist decision making. Temporal information has been recognized and demonstrated as useful factor in improving the quality of recommendations. However,
Diego Sánchez-Moreno +2 more
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Distinguishable musical dynamics
The Journal of the Acoustical Society of America, 1989Loudness changes, which composers specify by musical dynamics pp, p, mp, mf, f, and ff, make music exciting. The goal of this study is a usable and rational specification of an “acceptable” dynamic range for musicians. Requiring that a note at one dynamic level be at least s dB more intense than nearby notes at the next-lower dynamic level leads to a ...
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The dynamics of musical strings
The Journal of the Acoustical Society of America, 1991The resonance contours of a number of musical strings have been traced when operating in isolation from an instrument body, with more precisely defined loading and terminal conditions than are found in normal use, and with very small excitation amplitudes.
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EEG dynamics during music appreciation
2009 Annual International Conference of the IEEE Engineering in Medicine and Biology Society, 2009This study explores the electroencephalographic (EEG) correlates of emotions during music listening. Principal component analysis (PCA) is used to correlate EEG features with complex music appreciation. This study also applies machine-leaning algorithms to demonstrate the feasibility of classifying EEG dynamics in four subjectively-reported emotional ...
Yuan-Pin, Lin +2 more
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